Wednesday, July 13, 2022

Via White Crane Institute // Magdalena Carmen FRIDA KAHLO y Calderón

 

Magdalena Carmen Frida Kahlo y Calderón
1954 -

Magdalena Carmen FRIDA KAHLO y Calderón was a Mexican painter who died on this date (b: 1907); Kahlo known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country's popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is known for painting about her experience of chronic pain.

Born to a German father and a mestiza mother, Kahlo spent most of her childhood and adult life at La Casa Azul, her family home in Coyoacán – now publicly accessible as the Frida Kahlo Museum. Although she was disabled by polio as a child, Kahlo had been a promising student headed for medical school until she suffered a bus accident at the age of 18, which caused her lifelong pain and medical problems. During her recovery, she returned to her childhood interest in art with the idea of becoming an artist.

Kahlo's interests in politics and art led her to join the Mexican Communist Party in 1927, through which she met fellow Mexican artist Diego Rivera. The couple married in 1929, and spent the late 1920s and early 1930s travelling in Mexico and the United States together. During this time, she developed her artistic style, drawing her main inspiration from Mexican folk culture, and painted mostly small self-portraits which mixed elements from pre-Columbian and Catholic beliefs. Her paintings raised the interest of Surrealist artist André Breton, who arranged for Kahlo's first solo exhibition at the Julien Levy Gallery in New York in 1938; the exhibition was a success, and was followed by another in Paris in 1939. While the French exhibition was less successful, the Louvre purchased a painting from Kahlo, The Frame, making her the first Mexican artist to be featured in their collection. Throughout the 1940s, Kahlo participated in exhibitions in Mexico and the United States and worked as an art teacher. She taught at the Escuela Nacional de Pintura, Escultura y Grabado ("La Esmeralda") and was a founding member of the Seminario de Cultura Mexicana. Kahlo's always-fragile health began to decline in the same decade. She had her first solo exhibition in Mexico in 1953, shortly before her death in 1954 at the age of 47.

Kahlo's work as an artist remained relatively unknown until the late 1970s, when her work was rediscovered by art historians and political activists. By the early 1990s, she had become not only a recognized figure in art history, but also regarded as an icon for Chicanos, the feminism movement and the LGBTQ+ movement. Kahlo's work has been celebrated internationally as emblematic of Mexican national and indigenous traditions and by feminists for what is seen as its uncompromising depiction of the female experience and form.

She was experiencing health problems – undergoing an appendectomy, two abortions, and the amputation of gangrenous toes – and her marriage to Rivera had become strained. He was not happy to be back in Mexico and blamed Kahlo for their return. While he had been unfaithful to her before, he now embarked on an affair with her younger sister Cristina, which deeply hurt Kahlo's feelings. After discovering it in early 1935, she moved to an apartment in central Mexico City and considered divorcing him. She also had an affair of her own with American artist Isamu Noguchi.

Kahlo reconciled with Rivera and Cristina later in 1935 and moved back to San Ángel. She became a loving aunt to Cristina's children, Isolda and Antonio. Despite the reconciliation, both Rivera and Kahlo continued their infidelities. She also resumed her political activities in 1936, joining the Fourth International and becoming a founding member of a solidarity committee to provide aid to the Republicans in the Spanish Civil War. She and Rivera successfully petitioned the Mexican government to grant asylum to former Soviet leader Leon Trotsky and offered La Casa Azul for him and his wife Natalia Sedova as a residence. The couple lived there from January 1937 until April 1939, with Kahlo and Trotsky not only becoming good friends but also having a brief affair.

After opening an exhibition in Paris, Kahlo sailed back to New York. She was eager to be reunited with Muray, but he decided to end their affair, as he had met another woman whom he was planning to marry. Kahlo traveled back to Mexico City, where Rivera requested a divorce from her. The exact reasons for his decision are unknown, but he stated publicly that it was merely a "matter of legal convenience in the style of modern times ... there are no sentimental, artistic, or economic reasons." According to their friends, the divorce was mainly caused by their mutual infidelities. He and Kahlo were granted a divorce in November 1939, but remained friendly; she continued to manage his finances and correspondence.
 

On August 21, 1940, Leon Trotsky was assassinated in Coyoacán, where he had continued to live after leaving La Casa Azul. Kahlo was briefly suspected of being involved, as she knew the murderer, and was arrested and held for two days with her sister Cristina. The following month, Kahlo traveled to San Francisco for medical treatment for back pain and a fungal infection on her hand. Her continuously fragile health had increasingly declined since her divorce and was exacerbated by her heavy consumption of alcohol.

Rivera was also in San Francisco after he fled Mexico City following Trotsky's murder and accepted a commission. Although Kahlo had a relationship with art dealer Heinz Berggruen during her visit to San Francisco, she and Rivera reconciled. They remarried in a simple civil ceremony on December 8, 1940. Kahlo and Rivera returned to Mexico soon after their wedding. The union was less turbulent than before for its first five years. Both were more independent, and while La Casa Azul was their primary residence, Rivera retained the San Ángel house for use as his studio and second apartment. Both continued having extramarital affairs; Kahlo, being a bisexual, had affairs with both men and women.

Kahlo's right leg was amputated at the knee due to gangrene in August 1953. She became severely depressed and anxious, and her dependency on painkillers escalated. When Rivera began yet another affair, she attempted suicide by overdose. She wrote in her diary in February 1954, "They amputated my leg six months ago, they have given me centuries of torture and at moments I almost lost my reason. I keep on wanting to kill myself. Diego is what keeps me from it, through my vain idea that he would miss me. ... But never in my life have I suffered more. I will wait a while..."

In her last days, Kahlo was mostly bedridden with bronchopneumonia, though she made a public appearance in July 1954, participating with Rivera in a demonstration against the CIA invasion of Guatemala. She seemed to anticipate her death, as she spoke about it to visitors and drew skeletons and angels in her diary. The last drawing was a black angel, which biographer Hayden Herrera interprets as the Angel of Death. It was accompanied by the last words she wrote, "I joyfully await the exit – and I hope never to return – Frida" ("Espero Alegre la Salida – y Espero no Volver jamás").
 

The demonstration worsened her illness, and on the night of July 12, 1954, Kahlo had a high fever and was in extreme pain. At approximately 6 a.m. on July 13, 1954, her nurse found her dead in her bed. Kahlo was 47 years old. The official cause of death was pulmonary embolism, although no autopsy was performed. Herrera has argued that Kahlo, in fact, committed suicide. The nurse, who counted Kahlo's painkillers to monitor her drug use, stated that Kahlo had taken an overdose the night she died. She had been prescribed a maximum dose of seven pills but had taken eleven. She had also given Rivera a wedding anniversary present that evening, over a month in advance.

Kahlo's body was taken to the Palacio de Bellas Artes, where it lay in a state under a Communist flag. The following day, it was carried to the Panteón Civil de Dolores, where friends and family attended an informal funeral ceremony. Hundreds of admirers stood outside. In accordance with her wishes, Kahlo was cremated. Rivera, who stated that her death was "the most tragic day of my life", died three years later, in 1957. Kahlo's ashes are displayed in a pre-Columbian urn at La Casa Azul, which opened as a museum in 1958.


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Gay Wisdom for Daily Living from White Crane Institute

"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson

Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org

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Via Ram Dass - Love Serve Remember Foundation -- Words of Wisdom - July 13, 2022 💌

 



Water, when it flows downstream, doesn’t have a model of what it’s doing. It’s just being water, and water floats downstream, because that’s how water works. The thing that is extraordinarily hard for any of us to truly realize and to have sufficient faith to accept, is that if you stop having views, having models, planning, desiring, organizing, and structuring, it’s all right.

You don’t stop your desires as long as you stay in a human body. You break the identification with them. Thats all thats required.

It isn’t necessary to give up a thing. It’s necessary to give up attachment to the thing. That’s all that’s required. 
  

Tuesday, July 12, 2022

Via Dhamma Wheel | Right Intention: Cultivating Lovingkindness

RIGHT INTENTION
Cultivating Lovingkindness
Whatever you intend, whatever you plan, and whatever you have a tendency toward, that will become the basis upon which your mind is established. (SN 12.40) Develop meditation on lovingkindness, for when you develop meditation on lovingkindness, all ill will will be abandoned. (MN 62) 

The near enemy of loving kindness is attachment. (Vm 9.98)
Reflection
Attachment is called a near enemy of lovingkindness because it can seem like kindness while actually being very distinct from it. Think of the person who “loves” their partner so much that they must control their loved one and prevent them from having other friends. In popular culture attachment is often seen as a demonstration of lovingkindness, but in Buddhist thought the two are very different: one is healthy and the other not. 

Daily Practice
See if you can practice lovingkindness without attachment. This involves caring deeply for the well-being of another but on their own terms and not in ways that are bound up with your own agenda or sense of self. Remember the phrase found in the Metta Sutta: “May all beings be happy in themselves!” Attachment always includes some measure of self-interest, while true lovingkindness is entirely free of this.

Tomorrow: Refraining from False Speech
One week from today: Cultivating Compassion

Share your thoughts and join the conversation on social media
#DhammaWheel

Questions?
Visit the Dhamma Wheel orientation page.

 

Even though it may seem counterintuitive, when you’re suffering, if you can focus on another person’s joy, you can share it, and that makes you feel better.

Rick Heller, “Sympathetic Joy”


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Monday, July 11, 2022

Via Facebook


 

Via Dhamma Wheel | Right View: Understanding the Noble Truth of Suffering

 

RIGHT VIEW
Understanding the Noble Truth of Suffering
When people have met with suffering and become victims of suffering, they come to me and ask me about the noble truth of suffering. Being asked, I explain to them the noble truth of suffering. (MN 77) What is suffering? (MN 9)

Association with the unpleasant is suffering. Whenever one has unwanted, disliked, unpleasant objects of sight, sound, smell, taste, tangibles or mind, or whenever one encounters ill wishers, wishers of harm, of discomfort, of insecurity, with whom they have concourse, intercourse, connection, union—this too is suffering. (MN 9)
Reflection
One obvious form of suffering is having to deal with things that are unpleasant and that we don’t like. This can take the shape of sensual inputs, such as horrible visual images, annoying sounds, foul flavors and odors, and painful physical sensations, and it can include mental images and thoughts that are repugnant. Notice also that the text mentions people who are difficult and even hostile as sources of suffering.

Daily Practice
Just as it is inevitable that you will experience painful sensations in your body from time to time, it is equally inevitable that you will come into contact with people who are unfriendly and even wish you ill. This is an opportunity for practice. It is a chance to respond to such people with caution, yes, but also with equanimity, at least, and perhaps even with kindness. Do not allow the ill will of others to provoke ill will in yourself.

Tomorrow: Cultivating Lovingkindness
One week from today: Understanding the Noble Truth of the Origin of Suffering

Share your thoughts and join the conversation on social media
#DhammaWheel

Questions?
Visit the Dhamma Wheel orientation page.

Via Daily Dharma: Go Beyond Mindfulness

 Constant observation of the breath can be so potent and effective that many Buddhist traditions understandably focus exclusively on this opening instruction. But this is not where the instructions end.

Will Johnson, “Rising and Falling: From Mindfulness to Bodyfullness”


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Sunday, July 10, 2022

Via Daily Dharma: Nurturing Hope

 Hope is a flame that we nurture within our hearts. It may be sparked by someone else—by the encouraging words of a friend, relative, or mentor—but it must be fanned and kept burning through our own determination.

Daisaku Ikeda, “On Hardship & Hope”


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Via Dhamma Wheel | Right Mindfulness and Concentration: Establishing Mindfulness of Mental Objects and the Fourth Jhāna

 

RIGHT MINDFULNESS
Establishing Mindfulness of Mental Objects
A person goes to the forest or to the root of a tree or to an empty place and sits down. Having crossed the legs, one sets the body erect. One establishes the presence of mindfulness. (MN 10) One is aware: “Ardent, fully aware, mindful, I am content.” (SN 47.10)
 
When the energy-awakening factor is internally present, one is aware: “Energy is present for me.” When energy is not present, one is aware: “Energy is not present for me.” When the arising of unarisen energy occurs, one  is aware of that. And when the development and fulfillment of the arisen energy-awakening factor occurs, one is aware of that . . . One is just aware, just mindful: “There is a mental object.” And one abides not clinging to anything in the world. (MN 10)
Reflection
Energy is a mental factor, like so many others, that arises and passes away in the mind from one moment to another. We all know what it feels like to have too little energy and to give it a boost to accomplish a task, and what it feels like to have too much energy and to try to calm down using relaxation exercises. One way of practicing mindfulness of mental objects is to learn to look at and develop this awakening factor.

Daily Practice
See if you can gain an intuitive understanding of what the energy factor feels like in your own direct experience. Do this by noticing when it is present and when it is absent. Like isolating a muscle in the body for strengthening exercises, see if you can identify and strengthen the means of deliberately increasing or decreasing mental energy. This is an awakening factor because it is a crucial tool for developing the mind toward awakening.


RIGHT CONCENTRATION
Approaching and Abiding in the Fourth Phase of Absorption (4th Jhāna)
With the abandoning of pleasure and pain, and with the previous disappearance of joy and grief, one enters upon and abides in the fourth phase of absorption, which has neither-pain-nor-pleasure and purity of mindfulness due to equanimity. The concentrated mind is thus purified, bright, unblemished, rid of imperfection, malleable, wieldy, steady, and attained to imperturbability. (MN 4)

One practices: “I shall breathe in tranquilizing mental formations;”
one practices: “I shall breathe out tranquilizing mental formations.”
This is how concentration by mindfulness of breathing is developed and cultivated 
so that it is of great fruit and great benefit. (SN 54.8)

Tomorrow: Understanding the Noble Truth of  Suffering
One week from today: Establishing Mindfulness of Body and Abiding in the First Jhāna

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#DhammaWheel

Questions?
Visit the Dhamma Wheel orientation page.

Via Ram Dass - Love Serve Remember Foundation -- Words of Wisdom - July 10, 2022 💌

 
 

The three levels of compassionate action that I see are:

You do compassionate action as best you can as an exercise on yourself to come closer to God, to spirit, to awareness, to One.

Next is you start to appreciate that you’re a part of something larger than yourself and you are an instrument of God. No longer are you doing it to get there, you’re now doing it as an instrument.

And third is where you lose self-consciousness and you are God manifest. You’re part of the hand of God. Then you’re not doing anything. It’s just God manifest.

How do you get to that third one? By honoring others and being patient.

- Ram Dass

Saturday, July 9, 2022

Via Be Here Now Network

  Mindrolling – Raghu Markus – Ep. 447 – Music & Mindfulness with Richard Wolf
July 08, 2022
Music legend, Richard Wolf, joins Raghu for a discussion on music and mindfulness, silence and listening, John Coltrane and nonduality, and music as self-transcendence.Music legend, Richard Wolf, joins Raghu for a discussion on music and mindfulness, silence and listening, John Coltrane and nonduality, and music as self-transcendence....

Via Be Here Now Network

  David Nichtern – Creativity, Spirituality & Making a Buck – Ep. 36 – Applied Dharma w/ Miriam Parker
July 08, 2022
In this episode, David and Miriam have a vulnerable conversation about the nature of practice and how to apply it in our creative lives....

Via Dhamma Wheel | Right Effort: Maintaining Arisen Healthy States

RIGHT EFFORT
Maintaining Arisen Healthy States
Whatever a person frequently thinks about and ponders, that will become the inclination of their mind. If one frequently thinks about and ponders healthy states, one has abandoned unhealthy states to cultivate the healthy state, and then one’s mind inclines to the healthy states. (MN 19)

Here a person rouses the will, makes an effort, stirs up energy, exerts the mind, and strives to maintain arisen healthy mental states. One maintains the arisen investigation of states-awakening factor. (MN 141)
Reflection
Because the mind is inclined in the direction of whatever you frequently think about and ponder, influencing your own mind becomes the way of changing yourself for better or worse. When healthy states arise, such as kindness or insight or mindfulness, or when the factor of awakening called the investigation of states is present, this is beneficial and needs to be maintained through the deliberate and skillful application of effort.

Daily Practice
When mindfulness is present enough to give rise to the awakening factor of the investigation of mental and emotional states, do what you can to strengthen and maintain this quality of mind. Investigating your own experience is the primary way of gaining wisdom, but like so many other habits of value in our lives, it does not just happen by itself and requires the application of effort. This is worthwhile to do, so do it.

Tomorrow: Establishing Mindfulness of Mental Objects and the Fourth Jhāna
One week from today: Restraining Unarisen Unhealthy States

Share your thoughts and join the conversation on social media
#DhammaWheel

Questions?
Visit the Dhamma Wheel orientation page.

 

Via Daily Dharma: Making Friends with Our Ego

 It is possible to take a friendly relationship to our ego natures, it is possible to appreciate the aesthetic play of forms in emptiness, and to exist in this place like majestic kings of our own consciousness.

Allen Ginsberg, “Negative Capability: Kerouac’s Buddhist Ethic”


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Via White Crane Institute // JUNE JORDAN

 


Poet June Jordan
1936 -

Poet, teacher and community activist JUNE JORDAN was born on this date in Harlem to Jamaican immigrant parents (d: 2002). Jordan received numerous honors and awards, including a 1969-1970 Rockefeller grant for creative writing, a Yaddo Fellowship in 1979, a National Endowment for the Arts fellowship in 1982, and the Achievement Award for International Reporting from the National Association of Black Journalists in 1984. Jordan also won the Lila Wallace Reader’s Digest Award from 1995 to 1998 as well as the Ground Breakers-Dream Makers Award from The Women’s Foundation in 1994. Jordan attended Barnard College. She was an activist, poet, writer, teacher, and prominent figure in the civil rights, feminist, antiwar, and LGBTQ movements of the twentieth century. 

Of her career, Toni Morrison wrote, "I am talking about a span of forty years of tireless activism coupled with and fueled by flawless art."

 

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Gay Wisdom for Daily Living from White Crane Institute

"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson

Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org

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Via White Crane Institute // MINOR WHITE

 


Minor White portrait by Imogen Cunningham
1908 -

MINOR WHITE  was an American photographer, theoretician, critic, and educator born on this date (d: 1976). He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies. Starting in Oregon in 1937 and continuing until he died in 1976, White made thousands of black-and-white and color photographs of landscapes, people, and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow. He taught many classes, workshops, and retreats on photography at the California School of Fine Arts, Rochester Institute of Technology, Massachusetts Institute of Technology, other schools, and in his own home. He lived much of his life as a closeted gay man, afraid to express himself publicly for fear of loss of his teaching jobs, and some of his most compelling images are figure studies of men whom he taught or with whom he had relationships. He helped start, and for many years was editor of, the photography magazine Aperture. After his death in 1976, White was hailed as one of America's greatest photographers.

White took up photography while very young but set it aside for a number of years to study botany and, later, poetry. He began to photograph seriously in 1937. His early years as a photographer were spent working for the Works Progress Administration (WPA) in Portland, Ore. Many WPA photographers were chiefly concerned with documentation; White, however, preferred a more personal approach. Several of his photographs were included in a show at the Museum of Modern Art in New York City in 1941.

White served in the U.S. Army during WWII, and in 1945 he moved to New York City, where he became part of a circle of friends that included the influential photographers Edward Steichen and Alfred Stieglitz His contact with Stieglitz helped him discover his own distinctive style. From Stieglitz he learned the expressive potential of the sequence, a group of photographs presented as a unit. White would present his work in such units along with text, creating arrangements that he hoped would inspire different moods, emotions, and associations in the viewer, moving beyond the conventional expressive possibilities of still photography. White also learned from Stieglitz the idea of the “equivalent,” or a photographic image intended as a visual metaphor for a state of being. Both in his photographs and in his writing, White became the foremost exponent of the sequence and the equivalent.

White was greatly influenced by Stieglitz's concept of "equivalence," which White interpreted as allowing photographs to represent more than their subject matter. He wrote "when a photograph functions as an Equivalent, the photograph is at once a record of something in front of the camera and simultaneously a spontaneous symbol. (A 'spontaneous symbol' is one which develops automatically to fill the need of the moment. A photograph of the bark of a tree, for example, may suddenly touch off a corresponding feeling of roughness of character within an individual.)"

In his later life he often made photographs of rocks, surf, wood and other natural objects that were isolated from their context, so that they became abstract forms. He intended these to be interpreted by the viewer as something more than what they actually present. According to White, "When a photographer presents us with what to him is an Equivalent, he is telling us in effect, 'I had a feeling about something and here is my metaphor of that feeling.'...What really happened is that he recognized an object or series of forms that, when photographed, would yield an image with specific suggestive powers that can direct the viewer into a specific and known feeling, state, or place within himself.

Among his best-known books are two collections, Mirrors, Messages, Manifestations (1969), which features some of his sequences, and Minor White: Rites and Passages (1978), with excerpts from his diaries and letters and a biographical essay by  James Baker Hall.

From 1965 to 1974 White taught photography at the Massachusetts Institute of Technology, Boston. In 1968 he photographed in Maine and Vermont, United States and Nova Scotia, Canada. In 1973-1974 White photographed in Lima, Peru and Europe. He died June 24, 1976.

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Gay Wisdom for Daily Living from White Crane Institute

"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson

Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org

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