Wednesday, July 21, 2021

Via White Crane Institute // This Day in Gay History

Poet Hart Crane
1899 -

HART CRANE – American poet, born (d: 1932). Crane’s father, Clarence, was a successful Ohio businessman who had made his fortune in the candy business by inventing the Life Saver (an odd foreshadowing of the poet’s death, ironically). Crane was Gay and associated his sexuality with his vocation as a poet. Raised in the Christian Science tradition of his mother, he never ceased to view himself as a outsider in relation to society. However, as poems such as "Repose of Rivers" make clear, he felt that this sense of alienation was necessary for him to attain the visionary insight that formed the basis for his poetic work. It is one of the classic Gay Archetypes.

Throughout the early 1920s, small but well-respected literary magazines published some of Crane’s lyrics, gaining him, among the avant-garde, a respect that White Buildings (1926), his first volume, ratified and strengthened. White Buildings contains many of Crane’s best lyrics, including "For the Marriage of Faustus and Helen," and a powerful sequence of erotic poems called "Voyages," written while he was falling in love with Emil Opffer, a Danish merchant marine.

Faustus and Helen was part of a larger artistic struggle to meet the modern world with something more than despair. Crane identified T.S. Eliot with that kind of despair, and while he acknowledged the greatness of The Waste Land, he also said it was "so damned dead," an impasse, and a refusal to see "certain spiritual events and possibilities." Crane’s self-appointed work would be to bring those spiritual events and possibilities to poetic life, and so create "a mystical synthesis of America." He meant an epic poem.

This ambition would finally issue in The Bridge (1930), where the Brooklyn Bridge is both the poem’s central symbol and its poetic starting point.

Just before noon on April 27, 1932, on a steamship passage back to New York from Mexico — right after he was reportedly beaten for making sexual advances to a male crew member — he committed suicide by jumping into the Gulf of Mexico. Although he had been drinking heavily and left no suicide note, witnesses believed Crane's intentions to be suicidal, as several reported that he exclaimed "Goodbye, everybody!" before throwing himself overboard. His body was never recovered.

A marker on his father's tombstone in Garrettsville includes the inscription, "Harold Hart Crane 1899-1932 LOST AT SEA" ("Voyager," John Unterecker, 1969). Crane's suicide inspired several works of art by noted artist Jasper Johns, including "Periscope" and "Diver." Hart Crane: Complete Poems & Selected Letters (Langdon Hammer, ed.)

 

Today's Gay Wisdom
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Repose Of Rivers
By Hart Crane

The willows carried a slow sound,
A sarabande the wind mowed on the mead.
I could never remember
That seething, steady leveling of the marshes
Till age had brought me to the sea.

Flags, weeds. And remembrance of steep alcoves
Where cypresses shared the noon’s
Tyranny; they drew me into hades almost.
And mammoth turtles climbing sulphur dreams
Yielded, while sun-silt rippled them
Asunder ...

How much I would have bartered! the black gorge
And all the singular nestings in the hills
Where beavers learn stitch and tooth.
The pond I entered once and quickly fled—
I remember now its singing willow rim.

And finally, in that memory all things nurse;
After the city that I finally passed
With scalding unguents spread and smoking darts
The monsoon cut across the delta
At gulf gates ...  There, beyond the dykes

I heard wind flaking sapphire, like this summer,
And willows could not hold more steady sound.

 

Via Daily Dharma: Fold Into Now


When we immerse ourselves in a moment and meet it in its suchness or wholeness—whether through prayer or meditation, or through more “profane” activities like doing the laundry or having a cup of tea—all of time gets folded into a single point: now.

—Vanessa Zuisei Goddard, “The Places We Go to Be Here”

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