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Via Dhamma Wheel | Right View: Understanding the Noble Truth of Suffering

 

RIGHT VIEW
Understanding the Noble Truth of Suffering

When people have met with suffering and become victims of suffering, they come to me and ask me about the noble truth of suffering. Being asked, I explain to them the noble truth of suffering. (MN 77) What is suffering? (MN 9) Despair is suffering. The trouble and despair, the tribulation and desperation of one who has encountered some misfortune or is affected by some painful state. (MN 9)

Reflection

We don't need to look deeply to understand what this text is pointing to. The human condition is laced with despair, as people regularly encounter misfortune and are constantly affected by painful states. The goal of these teachings and practices is not to avoid the difficult aspects of life but to see them clearly, understand them thoroughly, and pass through them (rather than around them) to the peace lying on the other side.

Daily Practice

When you encounter despair, do not be afraid of it and do not try to push it away or hide from it. It is just a mental state, just a passing condition of the mind and of the emotional life. It is okay to turn toward it and examine it, because that is just what is happening right now. Take heart in the knowledge that the Buddha is only pointing us toward suffering because he will go on to show how it can be brought to an end.

Tomorrow: Cultivating Lovingkindness
One week from today: Understanding the Noble Truth of the Origin of Suffering

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Via Daily Dharma: Breathe with the Whole Body

 Think of the breath as a whole-body process. It’s not just the air coming in and out of the lungs. It’s the flow of energy throughout the body, part of which is related to the flow of the blood and to the sense of aliveness in your nerves. Try to be sensitive to the whole body as you breathe in and breathe out.

Thanissaro Bhikkhu, “Less Is More”

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Via White Crane Institute // RICHARD BARNFIELD

This Day in Gay History

June 13

Born

1574 -

RICHARD BARNFIELD, English poet, born (d: 1620); There are, as everyone knows, certain inseparable teams: Gilbert & Sullivan, Cheech and Chong, bagels and lox, ham and eggs, Sodom and Gomorrah. In classical mythology, as in ballet, there are Daphnis and Chloë, the Greek shepherd and his lady love – Daphnis and Chloë, as inseparable as yin and yang, gin and tonic, Ron and Nancy.

Not in Richard Barnfield, however. His Affectionate Shepherd (1594) scandalized Renaissance England by describing in florid detail the love of Daphnis and Ganymede, just a couple of guys, foolin’ around. What the fuss was all about is difficult to say since, in the absence of Chloë, Daphnis never exercised his shepherdly option of making it with his favorite sheep, choosing a boy instead. “If it be a sin to love a lovely lad,” wrote Barnfield, “Oh, then sin I.” He was not quite twenty-one when he wrote the poem. His obscure though close relationship with Shakespeare has long made him interesting to students.

Richard Barnfield was born in Staffordshire, England. In his youth, he was deeply influenced by Virgil’s work and the 1591 publication of Sir Philip Sidney’s Astrophel and Stella, which popularized the sonnet sequence. Best known for his poem “As it fell upon a day,” Barnfield is the only Elizabethan male poet apart from Shakespeare—whom he admired—to address love poems to a man.

Little is known about Barnfield’s life and career, but it is thought that his maternal aunt raised him and his sister after his mother died during childbirth. In 1592 he graduated from Brasenose College, Oxford. At the age of twenty-one he published his first two books, The Affectionate Shepherd (1594) and Cynthia (1595), both addressed to “Ganymede.” Originally published anonymously, The Affectionate Shepherd expands upon Virgil’s second eclogue, and its homoerotic themes made Barnfield’s poems controversial for his time.

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Today's Gay Wisdom

2018 -

Today's Gay Wisdom

Sonnet 16
By Richard Barnfield

Long have I long’d to see my love again,
    Still have I wished, but never could obtain it;
    Rather than all the world (if I might gain it)
Would I desire my love’s sweet precious gain.
Yet in my soul I see him every day,
    See him, and see his still stern countenance,
    But (ah) what is of long continuance,
Where majesty and beauty bears the sway?
Sometimes, when I imagine that I see him,
    (As love is full of foolish fantasies)
    Weening to kiss his lips, as my love’s fees,
I feel but air: nothing but air to bee him.
    Thus with Ixion, kiss I clouds in vain:
    Thus with Ixion, feel I endless pain.

Sonnet 17

By Richard Barnfield

Cherry-lipped Adonis in his snowy shape,
    Might not compare with his pure ivory white,
    On whose faire front a poet’s pen may write,
Whose roseate red excels the crimson grape,
His love-enticing delicate soft limbs,
    Are rarely framed to entrap poor gazing eyes:
    His cheeks, the lily and carnation dyes,
With lovely tincture which Apollo’s dims.
His lips ripe strawberries in nectar wet,
    His mouth a Hive, his tongue a honeycomb,
    Where Muses (like bees) make their mansion.
His teeth pure pearl in blushing coral set.
    Oh how can such a body sin-procuring,
    Be slow to love, and quick to hate, enduring? 

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Gay Wisdom for Daily Living from White Crane Institute

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