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This Day in Gay History
JÈRÔME DUQUESNOY, was a Belgian sculptor, born on this date (d: 1654); A Flemish artist Jérôme (Hieronymus) Duquesnoy was one of the most renowned sculptors of the 17th century, but for decades after his death he was better known for his conviction and execution on charges of sodomy than for his impish yet polished style of sculpture. Born into a Brussels family of artists at the beginning of the seventeenth century, Jérôme Duquesnoy lived his first twenty years in the shadow of his famous father, Jérôme Duquesnoy the Elder (who re-cast the famous Mannekin Pis [1619], the urinating boy that still stands as Brussels' signature fountain) and his brother François, who showed artistic promise at an early age.
Like his brother he was trained in his father’s studio. After a long stay in the service of Philip IV, he traveled to Florence in 1640 and a year later settled in Rome with his brother. On Francois’s death in 1643, Jérôme returned to Brussels where he carved several statues of the apostles. He was at work on several projects at the cathedral of St. Bavon in Ghent, where his best sculptures were executed, when he was, alas, arrested for sodomy with two acolytes of the church who had served as his models.
The brilliance of his work for the church notwithstanding, he was strangled then burned at the stake, a double death, which, under the circumstances, seems to be a case of clerical overkill and a terrible waste of matches. But you know, the Roman Catholic Church has really strict rules about messing around with children.
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Gay Wisdom for Daily Living from White Crane Institute
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The technique of the witness is to merely sit with the fear and be aware
of it before it becomes so consuming that there’s no space left. The
image I usually use is that of a picture frame and a painting of a gray
cloud against a blue sky. But the picture frame is a little too small.
So you bend the canvas around to frame it. But in doing so you lost all
the blue sky. So you end up with just a framed gray cloud. It fills the
entire frame.
So when you say, 'I'm afraid' or, 'I'm depressed', if you enlarged the
frame so that just a little blue space shows, you would say ‘Ah, a
cloud.’ That is what the witness is. The witness is that tiny little
blue over in the corner that leads you to say, ‘Ah, fear.’
- Ram Dass -
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We
never really know what’s going on with anyone else, but we know what
it’s like to be human. So in the face of suffering, what appropriate
response is there but compassion?
Taylor Plimpton, “Lessons From a Mostly Good Dog: #3: Be Kind”
CLICK HERE TO READ THE FULL ARTICLE
