Saturday, May 27, 2023

 


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Abandoning Arisen Unhealthy States
Whatever a person frequently thinks about and ponders, that will become the inclination of their mind. If one frequently thinks about and ponders unhealthy states, one has abandoned healthy states to cultivate unhealthy states, and then one’s mind inclines to unhealthy states. (MN 19)

Abandoning worldly sense desire, one abides with a mind free from sense desire, one purifies the mind of sense desire. (MN 51) Just as a person who had taken a loan would pay off their debts and have money left over, so would one rejoice and be glad about the abandoning of sense desire. (DN 2)
Reflection
When an unhealthy state arises, what do you do? First, acknowledge it rather than try to ignore or suppress it, and then understand that it is unhealthy and likely to bring harm to yourself and/or others. Finally, let it go. Letting it go is simply aligning yourself with the law of impermanence. All mental and emotional states will pass away naturally; the trick is not to encourage the unhealthy ones by getting caught by them.

Daily Practice
Practice experiencing a stream of sensory inputs—sights, sounds, and the rest—without being entangled in them. When you abide in your experience with equanimity rather than desire or aversion, you are free. Even if these moments are brief, they are compared in this text to the freedom of being liberated from debt. The mind is unencumbered, without anxiety, and feels light and at ease. This feels good.

Tomorrow: Establishing Mindfulness of Feeling and Abiding in the Second Jhāna
One week from today: Developing Unarisen Healthy States

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Via Daily Dharma: Planting the Seeds for Equanimity


Equanimity is not just a decision that we can will into being: “Let me be equanimous, right now, in the face of this difficulty.” It’s based on a deep understanding of the impermanent, unstable, changing, unreliable, and conditional nature of reality. 

Pascal Auclair, “The Fourth Quality of the Heart”


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Via White Crane Institute // From Oscar Wilde’s DE PROFUNDIS

 

Today's Gay Wisdom
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TODAY'S GAY WISDOM

From Oscar Wilde’s DE PROFUNDIS

I don't regret for a single moment having lived for pleasure. I did it to the full, as one should do everything that one does. There was no pleasure I did not experience. I threw the pearl of my soul into a cup of wine. I went down the primrose path to the sound of flutes. I lived on honeycomb. But to have continued the same life would have been wrong because it would have been limiting. I had to pass on. The other half of the garden had its secrets for me also. Of course all this is foreshadowed and prefigured in my books. Some of it is in THE HAPPY PRINCE, some of it in THE YOUNG KING, notably in the passage where the bishop says to the kneeling boy, 'Is not He who made misery wiser than thou art'? a phrase which when I wrote it seemed to me little more than a phrase; a great deal of it is hidden away in the note of doom that like a purple thread runs through the texture of DORIAN GRAY; in THE CRITIC AS ARTIST it is set forth in many colours; in THE SOUL OF MAN it is written down, and in letters too easy to read; it is one of the refrains whose recurring MOTIFS make SALOME so like a piece of music and bind it together as a ballad; in the prose poem of the man who from the bronze of the image of the 'Pleasure that liveth for a moment' has to make the image of the 'Sorrow that abideth for ever' it is incarnate. It could not have been otherwise. At every single moment of one's life one is what one is going to be no less than what one has been. Art is a symbol, because man is a symbol.

It is, if I can fully attain to it, the ultimate realisation of the artistic life. For the artistic life is simply self-development. Humility in the artist is his frank acceptance of all experiences, just as love in the artist is simply the sense of beauty that reveals to the world its body and its soul. In MARIUS THE EPICUREAN Pater seeks to reconcile the artistic life with the life of religion, in the deep, sweet, and austere sense of the word. But Marius is little more than a spectator: an ideal spectator indeed, and one to whom it is given 'to contemplate the spectacle of life with appropriate emotions,' which Wordsworth defines as the poet's true aim; yet a spectator merely, and perhaps a little too much occupied with the comeliness of the benches of the sanctuary to notice that it is the sanctuary of sorrow that he is gazing at.

I see a far more intimate and immediate connection between the true life of Christ and the true life of the artist; and I take a keen pleasure in the reflection that long before sorrow had made my days her own and bound me to her wheel I had written in THE SOUL OF MAN that he who would lead a Christ-like life must be entirely and absolutely himself, and had taken as my types not merely the shepherd on the hillside and the prisoner in his cell, but also the painter to whom the world is a pageant and the poet for whom the world is a song. I remember saying once to Andre Gide, as we sat together in some Paris CAFE, that while meta-physics had but little real interest for me, and morality absolutely none, there was nothing that either Plato or Christ had said that could not be transferred immediately into the sphere of Art and there find its complete fulfillment.


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Gay Wisdom for Daily Living from White Crane Institute

"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson

Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org

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Via White Crane Institute // WILD BILL HICKOK

 

Born
James Butler "Wild Bill" Hickok
1837 -

WILD BILL HICKOK is born in Troy Grove, Illinois. His real name was James Butler Hickok. Like many men in the wild west, Wild Bill really was wild with the men on the frontier and used his Lesbian buddy, Calamity Jane as a blind.

Few people ever knew the pair's secret, and in the movies about their lives, not a mention was made by either Doris Day or Howard Keel. The American West of the nineteenth century was a world of freedom and adventure for men of every stripe—not least also those who admired and desired other men.

Among these sojourners was William Drummond Stewart, a flamboyant Scottish nobleman who found in American culture of the 1830s and 1840s a cultural milieu of openness in which men could pursue same-sex relationships.

William Benemann’s recent book, Men In Eden traces Stewart’s travels from his arrival in America in 1832 to his return to Murthly Castle in Perthshire, Scotland, with his French Canadian–Cree Indian companion, Antoine Clement, one of the most skilled hunters in the Rockies. Benemann chronicles Stewart’s friendships with such notables as Kit Carson, William Sublette, Marcus Whitman, and Jim Bridger. He describes the wild Renaissance-costume party held by Stewart and Clement upon their return to America—a journey that ended in scandal.

Through Stewart’s letters and novels, Benemann shows that Stewart was one of many men drawn to the sexual freedom offered by the West. His book provides a tantalizing new perspective on the Rocky Mountain fur trade and the role of homosexuality in shaping the American West. For more: http://www.goodreads.com/book/show/13594189-men-in-eden

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Gay Wisdom for Daily Living from White Crane Institute

"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson

Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org

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