A personal blog by a graying (mostly Anglo with light African-American roots) gay left leaning liberal progressive married college-educated Buddhist Baha'i BBC/NPR-listening Professor Emeritus now following the Dharma in Minas Gerais, Brasil.
Friday, April 30, 2021
Via Daily Dharma: Keep a Fluid Mind
If
the mind congeals in one place and remains with one thing, it is like
frozen water and is unable to be used freely: ice that can wash neither
hands nor feet. When the mind is melted and is used like water,
extending throughout the body, it can be sent wherever one wants to send
it.
—Takuan Soho, “The Right Mind and the Confused Mind”
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Via White Crane Institute // ALFRED EDWARD HOUSMAN
ALFRED EDWARD HOUSMAN, English poet died (b. 1859); A. E. Housman's poetry is inextricably rooted in homosexual experience and consciousness and is also a significant reflector of gay history. In 1942 A.E. Houseman’s brother, Laurence Housman, deposited an essay entitled "A. E. Housman's 'De Amicitia'" in the British Library, with the proviso that it was not to be published for 25 years. The essay discussed A. E. Housman's homosexuality and his love for Moses Jackson. Given the conservative nature of the times it is not surprising that there was no unambiguous autobiographical statement about Housman's sexuality during his life.
It is certainly present in A Shropshire Lad, for instance #30 Others, I am not the first / have willed more mischief than they durst', in which 'Fear contended with desire', and in #44, in which he commends the suicide, where 'Yours was not an ill for mending'... for 'Men may come to worse than dust', their 'Souls undone, undoing others': he has died 'Undishonoured, clear of danger, / Clean of guilt..'.
More Poems was more explicit, as in no. 31 about Jackson 'Because I liked you better / Than suits a man to say', in which his feelings of love break his friendship, and must be carried silently to the grave. His poem 'Oh who is that young sinner with the handcuffs on his wrists?', written after the trial of Oscar Wilde, addressed more general societal injustice towards homosexuality. In the poem the prisoner is suffering 'for the colour of his hair', a natural, given attribute which - in a clearly coded reference to homosexuality - is reviled as 'nameless and abominable' (recalling the legal phrase 'peccatum horribile, inter christianos non nominandum', 'the horrible sin, not to be named amongst Christians').