Via White Crane Institute // Gay Wisdom

 

Richard Halliburton, ADVENTURER

1900 -

RICHARD HALLIBURTON, American adventurer and author, born (d: 1939) If Halliburton was alive today he would be the guy in  "The Most Fascinating Man in the World" ads. Halliburton was the quintessential preppie. And in the Ivy League of yore, preppiness and Gayness often went hand-in-hand. When Halliburton’s Chinese junk, Sea Dragon, was lost in the Pacific in 1939, he still looked very much as he had at Lawrenceville and Princeton – trim, muscular, and innocently handsome.

His athletic prowess and world-wide adventures had titillated a generation of vicarious thrill seekers and had been happily exploited by both the media and Halliburton’s many best-selling books. And it’s easy to see why. He climbed the Matterhorn in 1921; swam the Hellespont in 1925 and the Panama Canal (from the Atlantic to the Pacific) in 1928; and flew over 50,000 miles around the world in his own airplane, The Flying Carpet, between 1928 and 1931, thereby milking the adoration of an aviation-mad public.

Halliburton starred in his own documentary films and lectured, for stiff fees, to large audiences throughout the world. Between times, he managed to find time for men. As Roger Austen writes in Playing the Game, Halliburton “had a special fondness for YMCAs, spend the night with Rod La Roque, went flying with Ramon Navarro, and settled down with another bachelor in Laguna Beach.” And how was his adoring public to know? Hadn’t his books been filled with his appreciation of “Kashmiri maidens, Parisian ballerinas and Castillian countesses”? “Halliburton,” writes John Paul Hudson with acute insight, “certainly did a lot of straight-approved things, though his exploits were self-stretching and not competitive – which is the Gay way.”

Via Daily Dharma: Train in Compassion

 We know that someone like Michael Jordan trained for years to get as good at basketball as he was, but we assume someone like Mother Teresa was just born like that. Really, compassion is a skill you need to practice having for other people and also for yourself.

—Interview with Laura Mustard by Emily DeMaioNewton, “The Sun Behind the Clouds”

CLICK HERE TO READ THE FULL ARTICLE

Via NPR: Love And Hope Are At The Heart Of 'The Prophets'

 

Robert Jones Jr. says his debut novel, The Prophets, came to him in whispers from people whose stories haven't been told, and whose history has often been wiped from the record: Black queer people who were enslaved in America. It is a love story set inside a tragedy, the story of Samuel and Isaiah, two Black men enslaved on a plantation in Mississippi who find love with each other.

"You know, a psychologist might say that's your own conscience speaking to you, but I wanted to be a little bit more spiritual in my thinking about it," Jones says. "And imagine that it was my ancestors sort of pushing me toward writing this story, toward being a witness to their testimonies that have not made it into the official record."

 Make the jump here to listen to the full interview 

 

And via Amazon:

 

"A new kind of epic...A grand achievement...While The Prophets' dreamy realism recalls the work of Toni Morrison...its penetrating focus on social dynamics stands out more singularly." --Entertainment Weekly

A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.

Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man--a fellow slave--seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony.

With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries--of ancestors and future generations to come--culminates in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

Via Amazon