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Wednesday, April 10, 2024
Via Daily Dharma: Love and Loss
Via FB \\ What the hell did you expect me to do?
I think this message will resonate with my Christian friends
To the church of my youth,
What the hell did you expect me to do?
You told me to love my neighbors, to model the life of Jesus.
To be kind and considerate, and to stand up for the bullied.
You told me to love people, consider others as more important than myself.
You taught me to sing "red and yellow, black and white, they are precious in His sight."
We sang it together, pressing the volume pedal and leaning our hearts into the chorus.
You said that “He loved all the children of the world”.
You told me to love my enemies, to even do good to those who wish for bad things. You told me to never "hate" anyone and to always find ways to encourage people.
You told me it's better to give than receive, to be last instead of first.
To help the poor, the widow, the stranger at the gate.
You told me that Jesus looks at what I do for the least-of-these as the true depth of my faith.
You told me to focus on my own sin and not to judge.
You told me to be accepting and forgiving.
So I paid attention.
I took in every lesson.
And I did what you told me.
But now, you call me a libtard.
A queer-lover.
You call me "woke."
A backslider.
You call me a heretic.
You make fun of my heart.
You mock the people I’m trying to help.
You say I’m a child of the devil.
You call me soft.
A snowflake.
A socialist.
You shun the very people you told me to help.
What the hell did you expect me to do?
I thought you were serious, but apparently not.
You hate nearly all the people I love.
You stand against nearly all the things I stand for.
I'm trying to see a way forward, but it's hard when I survey all the hurt, harm, and darkness that comes in the wake of your beliefs and presence.
What the hell did you expect me to do?
I believed it all the way.
I'm still believing it all the way.
Which leaves me wondering, what happened to you?
(original post by Chris Kratzer)
Via Dhamma Wheel | Right Speech: Refraining from Frivolous Speech
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Via Daily Dharma: Standing in the Stream
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Via Ram Dass - Love Serve Remember Foundation \\ Words of Wisdom - April 10, 2024 💌
There is an appreciation that incarnation, or what would be called karma, is a blueprint for your own awakening. You can call it: my life, my karma, my incarnation, my curriculum.
It is a set of life experiences which you're creating. Because how you
see reality and how I see reality are different realities, and the fact
that yours is different from mine isn't by chance, it's by karma. And
that karma turns into your dharma. That means the
stuff that's given to you becomes your path. You use your unique
entrapment as the vehicle for getting free of entrapment.
- Ram Dass -
Today's quote comes from our new sliding-scale course, 'Reimagined:
The Life and Teachings of Ram Dass', that just kicked off yesterday.
There's still time to join if you're interested, simply click here to check it out! Registration closes at the end of this week.
Via White Crane Institute \\ ELI ANDREW RAMER
Noteworthy
2022 -
ELI ANDREW RAMER, author and former White Crane columnist ("Praxis")
is a magid, a traditional Jewish religious itinerant preacher, skilled
as a narrator of Torah and religious stories. He is the author of the
classic Two FlutesPlaying. Now he has authored a companion to that seminal work, TwoHeartsDancing. Eli and I had a brief conversation about it:
Bo: So ...what prompted you to write a "companion" to Two Flutes Playing?
Eli: I never planned to write a companion volume to "Two Flutes Playing." Then again, I did, but life derailed/erased it - for almost 20 years. "Two Flutes Playing"
is a channeled book that I compiled in the 1980s. First published by
Joseph Kramer from the Body Electric School in 1991, it's gone on to be
reissued several times by different presses, including White Crane, and
has had its own interesting life wandering around the world of gay men's
spirituality.
Around the time it was first published I wrote a story that
led to another story that was beginning to become a book illustrated by
my dear friend and Gay Spirit Visions Conference co-founder Raven
Wolfdancer. When he was murdered I put together the drawings and stories
we'd created into a small desktop published book, and when I sold the
last copy I more or less forgot about it.
Flash forward. Covid arrives. A strange echo of our lives with
AIDS. Locked away from the world I went through and organized all my
unpublished work, came upon the stories I did with Raven, and sent them
to the publisher who had reissued "Two Flutes Playing" - Wipf and Stock. They said it was too short. I started going through unpublished poems, added them to the old stories - and "Two Hearts Dancing" was born.
Bo: So while Two Flutes Playing was channeled, this is more of a collection of your thoughts in isolation?
Eli: What's channeling? What's inspiration? Who are our muses?
Certainly Johnny Moses was a muse, some hours before we met, awakening
one of the stories in the first part of the book. And Raven Wolfdancer
was clearly a muse, embodied, in addition to creating the art that
graces the first part. And the poems in the second part were inspired by
lovers and strangers and other writing, so while not channeled in quite
the same way as Two Flutes Playing, this new book is also a received text.
Bo: And do you think Two Hearts Dancing is a revival of that companion to Two Flutes? Or is something altogether new?
Eli: I call it a companion volume and not a sequel, but now
that it's been birthed, I do see the two books as siblings, the two of
them dancing in and around each other, in and out of time.
Bo: Can you talk a bit about the role of story-telling in the
LGBTQ community? And how you see it relating to the prophetic
tradition?
Eli: A story is a line of thread linking two worlds together.
A story is a line of saliva linking two kissers together. A story in
our community is connector, a delight, and a tool for survival in an
often-hostile world. We often find ourselves in words and stories in
ways that we might not otherwise, in hearing a word for the first time
and thinking - "Oh, that's me!" A word, a new pronoun - worlds rippling
out from words in wet delicious ways.
Stories began when we learned how to talk. This is a story.
The first human language was manual and not verbal. It was signed and
not spoken. We invited speech so that we could keep telling stories when
it was dark. And then we invented fire. I believe - this is a story -
that the very first storytellers were people like us, wandering in
between female and male, the living and the dead, between words and
silence. I believe that the first elders and prophets were people like
us, living between female and male, the living and the dead, between
words and silence, and able to link them all together, as with thread,
as with the wet space between two people kissing, when they pull apart.
Bo: What are you reading these days?
Eli: Covid and the death of 40 people in my life since July 2017
altered my brain. I can hardly read or watch movies or take in much of
anything, but I do thrive on going for four-hour walks. I used to read a
book a week, usually three or four at the same time, one by my bed, one
on the kitchen table, one next to the toilet, and one in my backpack
for when I go out. Now it takes me more than a month to finish a book.
What I'm reading, slowly - A Time to Mourn, a Time to Comfort: A Guide to Jewish Bereavement by Ron Wolfson, and The Lying Life of Adults by Elena Ferrante.
Bo: Could you describe Two Hearts Dancing for readers?
Eli. The book isn’t a coming out guide so much as it is a
guidebook on coming in—coming in to who we are as mystics, lovers and
healers. The first section has fourteen tales that are grounded in gay
archetypes and ends with a responsive reading to be used in gay men’s
rituals. The second part, Poems of Our Tribe is comprised of twenty-four poems that are mythic, mystical explorations of embodied spirituality, sexuality, and love.
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Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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Via White Crane Institute \\ MARJORIE MAIN
1975 -
MARJORIE MAIN died on this date (b: 1890; Born Mary Tomlinson, she was an American character actress and singer of the Classical Hollywood period, best known as a Metro-Goldwyn-Mayer contract player in the 1940s and 1950s, and for her role as Ma Kettle in 10 Ma and Pa Kettle movies. Main started her career in vaudeville and theatre, and appeared in film classics, such as Dead End, The Women, Dark Command, The Shepherd of the Hills, Meet Me in St. Louis, and Friendly Persuasion.
She was born near Acton, in rural Marion County, Indiana. She was the second daughter of Reverend Samuel J. Tomlinson, a Disciples of Christ minister, and Jennie L. (McGaughey) Tomlinson. Mary's maternal grandfather, Doctor Samuel McGaughey, was the Acton physician who delivered her.
After Tomlinson left her family, who had moved to Kentucky, she spent the next several years studying dramatic arts in Chicago and New York City, despite her father's disapproval of her career choice. Tomlinson adopted the stage name of Marjorie Main during her early acting career to avoid embarrassing her family.
Main married widower Stanley LeFevre Krebs, a psychologist and lecturer, in November 1921. They met while she was performing on the Chautauqua circuit. Main accompanied Krebs on the lecture circuit, handling the details of their life on the road. They had no children together, and made their home in New York City. Main performed with touring companies and in New York theaters on a part-time basis throughout her marriage. She also began her Hollywood film career in 1931. Main considered this period "the happiest years of her life." She returned to a full-time acting career after Krebs died of cancer in 1935.
The Krebses' marriage was a nontraditional one. By her accounts, the marriage was happy, but not particularly close. Main claimed to be "brokenhearted" following her husband's death, but also explained that his death was "like losing a good friend. Like part of the family." Main's biographer, Michelle Vogel, quotes a later interview in which the actress related: "Dr. Krebs wasn't a very practical man. I didn't figure on having to run the show, I kinda tired of it after a few years. We pretty much went our own ways, but we was [sic] still in the eyes of the law, man and wife." Vogel also revealed that Main had a long-term relationship with actress Spring Byington.
Main, who is best known for playing "raucous, rough, and cantankerous women" on-screen, was characterized as "soft-spoken, shy," and "dignified" when she was off-screen. Main became a popular character actress of the 1940s and 1950s. She appeared in diverse roles on the stage and in more than 80 films. The "cornball humor" of the Kettle films endured in television shows, such as The Beverly Hillbillies and Green Acres, of the 1960s.
Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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