The interesting question is, "How do you put yourself in a position so that you can allow ‘what is’ to be?" The enemy turns out to be the creation of mind. Because when you are just in the moment, doing what you are doing, there is no fear. The fear is when you stand back to think about it. The fear is not in the actions. The fear is in the thought about the actions.
- Ram Dass -
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A
powerful mental shift takes place when we stop telling ourselves why
something can’t happen. When we can envision a hoped-for future, we
strengthen our belief that it is possible.
Joanna Macy, “Allegiance to Life”
CLICK HERE TO READ THE FULL ARTICLE
So Hum is derived from Sanskrit and literally means “I am That” . it means identifying oneself with the universe or ultimate reality. As we meditate on this, we realise that we are all one, we have all come from one Infinite Source, and a part (Ansh) of that infinite source is present in all of us. We are all connected. “You are the same as I am” OM is the sound of universe. Om Soham ~ I am the universe, I am part of it, I am connected to that Infinite source.
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The
process of finding the truth may not be a process by which we feel
increasingly better and better. It may be a process by which we look at
things honestly, sincerely, truthfully, and that may or may not be an
easy thing to do.
Adyashanti, “Bliss Is a By-Product”
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To practice the way of Buddha means to completely live out this present moment—which is our whole life—here and now.
Kodo Sawaki Roshi, “To You”
CLICK HERE TO READ THE FULL ARTICLE
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Noteworthy 
2022 -
EASTER falls on this date in 2022. According to the Venerable Bede, Easter derives its name from Eostre, an Anglo-Saxon goddess of spring. A month corresponding to April had been named "Eostremonat," or Eostre's month, leading to "Easter" becoming applied to the Christian holiday that usually took place within it. Prior to that, the holiday had been called Pasch (Passover), which remains its name in most non-English languages. Based on the similarity of their names, some connect Eostre with Ishtar, the Babylonian and Assyrian goddess of love and fertility, but there is no solid evidence for this. It seems probable that around the second century A.D., Christian missionaries seeking to convert the tribes of northern Europe noticed that the Christian holiday commemorating the resurrection of Jesus roughly coincided with the Teutonic springtime celebrations, which emphasized the triumph of life over death. Christian Easter gradually absorbed the traditional symbols: Easter Eggs: In Medieval Europe, eggs were forbidden during Lent. Eggs laid during that time were often boiled or otherwise preserved. Eggs were thus a mainstay of Easter meals, and a prized Easter gift for children and servants. In addition, eggs have been viewed as symbols of new life and fertility through the ages. It is believed that for this reason many ancient cultures, including the Ancient Egyptians, Persians, and Romans, used eggs during their spring festivals. Many traditions and practices have formed around Easter eggs. The coloring of eggs is a established art, and eggs are often dyed, painted, and otherwise decorated. Eggs were also used in various holiday games: parents would hide eggs for children to find, and children would roll eggs down hills. These practices live on in Easter egg hunts and egg rolls. The most famous egg roll takes place on the White House lawn every year. Different Traditions: Orthodox Christians in the Middle East and in Greece painted eggs bright red to symbolize the blood of Christ. Hollow eggs (created by piercing the shell with a needle and blowing out the contents) were decorated with pictures of Christ, the Virgin Mary, and other religious figures in Armenia. Germans gave green eggs as gifts on Holy Thursday, and hung hollow eggs on trees. Austrians placed tiny plants around the egg and then boiled them. When the plants were removed, white patterns were created. Artistic Creations: The most elaborate Easter egg traditions appear to have emerged in Eastern Europe. In Poland and Ukraine, eggs were often painted silver and gold. Pysanky (to design or write) eggs were created by carefully applying wax in patterns to an egg. The egg was then dyed, wax would be reapplied in spots to preserve that color, and the egg was boiled again in other shades. The result was a multi-color striped or patterned egg. You can get some really beauties here: https://www.paulwirhun.com/ The Easter Bunny: Hares and rabbits have long been symbols of fertility. The inclusion of the hare into Easter customs appears to have originated in Germany, where tales were told of an "Easter hare" who laid eggs for children to find. German immigrants to America -- particularly Pennsylvania -- brought the tradition with them and spread it to a wider public. They also baked cakes for Easter in the shape of hares, and may have pioneered the practice of making chocolate bunnies and eggs. But what does fertility have to do with Easter? Many who celebrate the holiday do not recognize that Easter is not a biblical holiday at all—it is wholly derived from pre-Christian celebrations of springtime fertility, devoted to pagan goddesses with names such as Ishtar, Astarte and Ostara, from whom the name "Easter" is derived. Also, those who make a pun on "Son rise" and "sunrise" may not be aware that their Easter morning "sunrise" service—facing the direction of the rising sun during their worship — has its origins not in Scripture but in pagan sun goddess worship. Easter Cards: Easter cards arrived in Victorian England, when a stationer added a greeting to a drawing of a rabbit. According to American Greetings, Easter is now the fourth most popular holiday for sending cards, behind Christmas, Valentine's Day, and Mother's Day. Easter Parades: After their baptisms, early Christians wore white robes all through Easter week to indicate their new lives. Those had already been baptized wore new clothes instead to symbolize their sharing a new life with Christ. In Medieval Europe, churchgoers would take a walk after Easter Mass, led by a crucifix or the Easter candle. Today these walks endure as Easter Parades. People show off their spring finery, including lovely bonnets decorated for spring. | ||
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|8|O|8|O|8|O|8|O|8|O|8|O|8|O|8 Gay Wisdom for Daily Living from White Crane Institute "With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson Exploring Gay Wisdom & Culture since 1989! |8|O|8|O|8|O|8|O|8|O|8|O|8|O|8 | ||
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ISABEL VARGAS LIZANO (d: 2012), better known as CHAVELA VARGAS, was a Costa Rican-born Mexican singer. She was especially known for her rendition of Mexican rancheras, but she is also recognized for her contribution to other genres of popular Latin American music. She has been an influential interpreter in the Americas and Europe, muse to figures such as Pedro Almodovar, hailed for her haunting performances, and called "la voz áspera de la ternura", the rough voice of tenderness.
She is featured in many Almodóvar's films, including La Flor de mi Secreto in both song and video. She has said, however, that acting is not her ambition, although she had previously participated in films such as 1967's La Soldadera. Vargas recently appeared in the 2002 Julie Taymor film Frida, singing "La Llorona" (The Weeping Woman). Her classic "Paloma Negra" (Black Dove) was also included in the soundtrack of the film.
Vargas herself, as a young woman, was alleged to have had an affair with Frida Kahlo, during Kahlo's marriage to muralist Diego Rivera. She also appeared in Alejandro Gonzalez Inarritu's Babel, singing "Tú me acostumbraste" (You Got Me Used To), a bolero of Frank Dominguez. Joaquin Sabina’s song "Por el Boulevar de los Sueños Rotos" ("Down the Boulevard of Broken Dreams") is dedicated to Vargas.
Her heavy drinking and raucous life took their toll, and she vanished from public life in the 1970s. Submerged in an alcoholic haze, she said, she was taken in by an Indian family who nursed her back to health without knowing who she was. In 2003, she told The New York Times that she had not had a drink in twenty-five years.
In the early 1990s she began singing again at El Habito, the bohemian Mexico City nightclub. From there her career took off again, with performances in Latin America, Europe and the United States. At 81, she announced that she was a lesbian.
“Nobody taught me to be like this,” she told the Spanish newspaper El País in 2000. “I was born this way. Since I opened my eyes to the world, I have never slept with a man. Never. Just imagine what purity. I have nothing to be ashamed of.”
On the eve of her Carnegie Hall debut in 2003, she looked back on how her singing had changed over her career. “The years take you to a different feeling than when you were 30,” she said in an interview with The Times. “I feel differently, I interpret differently, more toward the mystical.”
On the evening of her death in 2012, instead of holding a traditional Mexican wake, friends, fans and musicians gathered in the evening for a musical tribute at Plaza Garibaldi in Mexico City, where Ms. Vargas had spent many a night drinking with Mr. Jiménez. She would have loved it.
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Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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