A personal blog by a graying (mostly Anglo with light African-American roots) gay left leaning liberal progressive married college-educated Buddhist Baha'i BBC/NPR-listening Professor Emeritus now following the Dharma in Minas Gerais, Brasil.
Friday, July 16, 2021
Via Thich Nhat Hanh Quote Collective / FB
Via White Crane Institute // REINALDO ARENAS
The great Cuban poet, novelist and memoirist REINALDO ARENAS was born (d. 1990). Despite his early sympathy for the 1959 revolution, Arenas grew critical of and then rebelled against the Cuban government. Born in the countryside outside of Holguin, Cuba, in 1973 he was imprisoned for his homosexuality and his opposition against the Fidel Castro regime. In 1980 he went to the USA. In 2000 Julian Schnabel made a movie about his life based on Arenas' memoir: Before Night Falls.
Via Daily Dharma: Meet Yourself With Kindness
Thursday, July 15, 2021
Via Tricycle // Inside Breath Taking, a New Exhibit at the New Mexico Museum of Art
By Michael Haederle
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Via Daily Dharma: Shining Light on Your Regrets
Wednesday, July 14, 2021
Via White Crane Institute // This Day in Gay History
July 14
ARTHUR LAURENTS, American playwright, novelist, director and one of the giants of the American theater, born (d: 2011); His credits included the stage musicals West Side Story and Gypsy and the film The Way We Were. In 2000, Laurents published Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood. In it, he discusses his lengthy career and his many Gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher, an aspiring, and quite beautiful, actor whom Gore Vidal suggested Laurents seek out at the men's clothing store in Beverly Hills Hatcher was managing at the time.
The couple remained together for 52 years until Hatcher's death on October 26, 2006. Laurents died in 2011.
Via Tricycle -- Bringing Hungry Ghosts Out of Hiding
Bringing Hungry Ghosts Out of Hiding
Andy Rotman in conversation with Julia Hirsch
Via Daily Dharma: The Backbone of Letting Go
By creating a sense of background support through the calming and stilling of the mind, meditation makes possible the compassionate conditions that allow clinging to be released.
Tuesday, July 13, 2021
Via Daily Dharma: Motivating Compassion
Monday, July 12, 2021
Via Daily Dharma: Patience is Inexhaustible
Do Buddhists believe in God?
Via Daily Dharma: Living the Middle Way
Via Ram Dass - Love Serve Remember Foundation // Words of Wisdom - July 11, 2021 💌
How does one become loving awareness?
If I change my identification from the ego to the soul, then as I look
at people, they all appear like souls to me. I change from my head, the
thought of who I am, to my spiritual heart, which is a different sort of
awareness – feeling directly, intuiting, loving awareness. It’s
changing from a worldly outer identification to a spiritual inner
identification.
Concentrate on your spiritual heart, right in the middle of your chest.
Keep repeating the phrase, “I am loving awareness. I am loving
awareness. I am loving awareness.”
- Ram Dass -
Sunday, July 11, 2021
Saturday, July 10, 2021
Via Daily Dharma: A Precious Opportunity
Friday, July 9, 2021
Via White Crane Institute // MINOR WHITE
MINOR WHITE was an American photographer, theoretician, critic, and educator born on this date (d: 1976). He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies. Starting in Oregon in 1937 and continuing until he died in 1976, White made thousands of black-and-white and color photographs of landscapes, people, and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow. He taught many classes, workshops, and retreats on photography at the California School of Fine Arts, Rochester Institute of Technology, Massachusetts Institute of Technology, other schools, and in his own home. He lived much of his life as a closeted gay man, afraid to express himself publicly for fear of loss of his teaching jobs, and some of his most compelling images are figure studies of men whom he taught or with whom he had relationships. He helped start, and for many years was editor of, the photography magazine Aperture. After his death in 1976, White was hailed as one of America's greatest photographers.
White took up photography while very young but set it aside for a number of years to study botany and, later, poetry. He began to photograph seriously in 1937. His early years as a photographer were spent working for the Works Progress Administration (WPA) in Portland, Ore. Many WPA photographers were chiefly concerned with documentation; White, however, preferred a more personal approach. Several of his photographs were included in a show at the Museum of Modern Art in New York City in 1941.
White served in the U.S. Army during WWII, and in 1945 he moved to New York City, where he became part of a circle of friends that included the influential photographers Edward Steichen and Alfred Stieglitz His contact with Stieglitz helped him discover his own distinctive style. From Stieglitz he learned the expressive potential of the sequence, a group of photographs presented as a unit. White would present his work in such units along with text, creating arrangements that he hoped would inspire different moods, emotions, and associations in the viewer, moving beyond the conventional expressive possibilities of still photography. White also learned from Stieglitz the idea of the “equivalent,” or a photographic image intended as a visual metaphor for a state of being. Both in his photographs and in his writing, White became the foremost exponent of the sequence and the equivalent.
White was greatly influenced by Stieglitz's concept of "equivalence," which White interpreted as allowing photographs to represent more than their subject matter. He wrote "when a photograph functions as an Equivalent, the photograph is at once a record of something in front of the camera and simultaneously a spontaneous symbol. (A 'spontaneous symbol' is one which develops automatically to fill the need of the moment. A photograph of the bark of a tree, for example, may suddenly touch off a corresponding feeling of roughness of character within an individual.)"
In his later life he often made photographs of rocks, surf, wood and other natural objects that were isolated from their context, so that they became abstract forms. He intended these to be interpreted by the viewer as something more than what they actually present. According to White, "When a photographer presents us with what to him is an Equivalent, he is telling us in effect, 'I had a feeling about something and here is my metaphor of that feeling.'...What really happened is that he recognized an object or series of forms that, when photographed, would yield an image with specific suggestive powers that can direct the viewer into a specific and known feeling, state, or place within himself.
Among his best-known books are two collections, Mirrors, Messages, Manifestations (1969), which features some of his sequences, and Minor White: Rites and Passages (1978), with excerpts from his diaries and letters and a biographical essay by James Baker Hall.
From 1965 to 1974 White taught photography at the Massachusetts Institute of Technology, Boston. In 1968 he photographed in Maine and Vermont, United States and Nova Scotia, Canada. In 1973-1974 White photographed in Lima, Peru and Europe. He died June 24, 1976.
For an excellent discussion of White's sexuality and its influence on his art click here: https://aperture.org/blog/
Via Daily Dharma: Steps that Radiate Harmony
When we walk in forgetfulness, we imprint our anxieties and sorrows on Mother Earth and on those around us. But when we walk in mindfulness, each step creates a fresh breeze of peace, joy, and harmony.
—Nguyen Anh-Huong and Thich Nhat Hanh,
“Walking Meditation—Anywhere”
CLICK HERE TO READ THE FULL ARTICLE
Thursday, July 8, 2021
Via Daily Dharma: Working with Pain
Via White Crane Insitute -- FRED HOLLAND DAY
This Day in Gay History
July 08
FRED HOLLAND DAY American photographer and publisher, born (d: 1933). He was considered by many to be the first in the U.S.A. to advocate that photography should be considered a fine art. Day's life and works had long been controversial, since his photographic subjects were often nude male youths. Pam Roberts, in F. Holland Day (Waanders Pub, 2001; catalog of a Day exhibition at the Van Gogh Museum) writes: "Day never married and his sexual orientation, whilst it is widely assumed that he was homosexual, because of his interests, his photographic subject matter, his general flamboyant demeanor, was, like much else about him, a very private matter." At the turn of the century, his influence and reputation as a photographer rivaled that of Alfred Stieglitz, who later eclipsed him.
The high point of Day's photographic career was probably his organization of an exhibition of photographs at the Royal Photographic Society in 1900. He was a major patron of Aubrey Beardsley. Now that the attitudes toward homosexuality have changed so radically, since the 1990s Day's works have been included in major exhibitions by museum curators, notably in the solo Day retrospective at the Boston Museum of Fine Arts in 2000/2001 and similar shows at the Royal Photographic Society in England and the Fuller Museum of Art.
Art historians are once again taking an interest in Day, and there are now significant academic texts on Day's homoerotic portraiture, and its similarities to the work of Walter Pater and Thomas Eakins.
Via Daily Dharma: Letting Your Feelings Flow
Tuesday, July 6, 2021
Via Tricycle // Ethical Conduct
Pocket Paramis: Ethical Conduct
By The Editors
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Via Daily Dharma: Balancing Discipline with Joy
Monday, July 5, 2021
Buddhism and the Real World
By Donald S. Lopez Jr.
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Via Daily Dharma: You Are the Light
—Dawa Tarchin Phillips, “What to Do When You Don’t Know What’s Next”
CLICK HERE TO READ THE FULL ARTICLE
Sunday, July 4, 2021
Via Revista Bodisatva // Lama Padma Samten
“A riqueza não monetária é muito interessante, porque ela pode quantificar o que perdemos na nossa vida quando nos ligamos à economia monetária, quando trocamos os parâmetros de qualidade de vida, sustentabilidade e sanidade do ambiente. Trocamos isso por uma aparente vantagem da riqueza monetária, mas na verdade estamos empobrecendo, ficando mais vulneráveis e mais infelizes.
Se olharmos, por exemplo, o que acontece quando ficamos presos a esse percurso da sociedade ligado à economia monetária, vamos entender que há um sofrimento muito amplo, que surge de algum modo ligado a coisas econômicas, mas que vai impactando também outras formas de funcionamento da própria sociedade. Quando a pessoa mergulha na visão do paradigma econômico monetário, é quase impossível entender a visão ecológica. Surge também uma sensação de que não há limites para esse crescimento econômico.
Quando começamos a estabelecer um tipo de sociedade, não conseguimos incorporar a visão de equilíbrio entre as múltiplas espécies e de limitação da atividade humana. Não perseguimos riqueza, nós passamos a perseguir números, como se fosse um jogo, e então a visão ecológica perde o sentido. Eu preciso atravessar a vida dos outros seres, preciso avançar sobre a liberdade dos outros seres para ampliar esses números.”
— Lama Padma Samten apresentando uma economia desde a visão budista na seção Palavras do Lama, na Revista Bodisatva 33.
Via White Crane Institute // WALT WHITMAN published the first edition of Leaves of Grass
On this day in 1855, WALT WHITMAN published the first edition of Leaves of Grass. The first edition consisted of twelve poems, and was published anonymously; Whitman set much of the type himself, and paid for its printing. Over his lifetime, he published eight more editions, adding poems each time; there were 122 new poems in the third edition alone (1860-61), and the final "death-bed edition," published in 1891, contained almost 400. The first edition received several glowing — and anonymous — reviews in New York newspapers. Most of them were written by Whitman himself.
The praise was unstinting: "An American bard at last!" One legitimate mention by popular columnist Fanny Fern called the collection daring and fresh. Emerson felt it was "the most extraordinary piece of wit and wisdom America has yet contributed." This wasn't a universal opinion, however; many called it filth, and poet John Greenleaf Whittier threw his copy into the fire.
Via Ram Dass - Love Serve Remember Foundation // Words of Wisdom - July 4, 2021 💌
When you look at the world, you will see that there are many different levels of spiritual evolution. They are merely stages of development. Be careful not to impose values of 'better' or 'worse'. It is no better to be an adolescent than to be a child. It is no better to be an old person than middle age. These are just different stages of development.
- Ram Dass -
Via Daily Dharma: Take Refuge in Yourself
Saturday, July 3, 2021
Via Tricycle // Trike Daily SutrasMeditation & Practice
Six steps for easing into and learning to love these sacred texts, and recommended reading for getting started
After starting my apprenticeship as a translator of Buddhist texts more than ten years ago, I found that as I took the sutras to heart, they began to work fantastic changes in my life.
But it didn’t happen overnight. Many of us want to read the sutras. If you’re like me, you’ve gone to the bookstore and brought home a Buddhist book or four—maybe more. If we’re being honest, though, the sutras live on the bookshelf, not the nightstand. Or they linger around the house like visitors at a party to whom we’ve not been properly introduced. That’s because, for many of us, though they brim with helpful wisdom, they’re unlike the other books we’ve read. We open them and find ourselves at a loss, so we don’t read them, not very much.
This reminds me of a time when my teacher and I were walking through a park, and I was scrutinizing the ground for pieces of litter to discard. After the walk, my teacher asked me, “What did you see?” While I’d learned a great deal about the surface of the asphalt walkway, I had no sense of the hills and groves we’d traversed. I knew a few details, but not the terrain. Over the years, we returned to this park many times, and eventually I learned its paths, its edges, and where the tallest trees stood. And I came to know deeper, overgrown places where the path was harder to discern.
Likewise, learning to read—and to love—the sutras happens only as we return to them over and over again.
The sutras, however, are much vaster and more intricate than even the grandest park. They spill out past the borders of the ancient civilizations that gave rise to them. They are buddha-worlds unto themselves, visions of reality extending beyond the reaches of imagination. They are realms of boundless magic, at the center of which we find ourselves standing, from the turning of the very first page.
When first encountering the sutras, bewilderment is a natural response. Even if we later become close friends, at first we don’t even know where to start with them.
To help you begin to make friends with the sutras, I want to share with you what I’ve learned by returning to them throughout the years.
1. Find the time (don’t “make” it). The standard advice here is to tell you to put down your smartphone or cancel Netflix. This may not be very helpful—unless perhaps you were hoping to stare into the gaping maw of your underlying loneliness today? You were not? Great, then let’s keep those habits where they are for one more day. Those precious sentinels are there for a reason, leave them be!
When I say find the time, I’m not talking about ridding yourself of other activities. I’m talking about identifying available time in your day just as it is. A five minute window, or ten maybe. Twenty would be heroic. Half an hour would be a real coup.
Here’s where I found some time in my own day: I noticed that I was spending ten minutes every day standing slack-jawed in the kitchen, vacantly regarding a cooking pot of oatmeal. I wasn’t doing anything particular during that time, for well or ill. My habit was just to stand there and watch the oatmeal do its thing, and not in a “mindfulness practice” way.
Turns out the oatmeal didn’t need my attention, only a timer. So I resolved to use that time constructively: ten pristine, unclaimed minutes. That small a span of time, even half that—that’s your sutra reading practice, right there. It can literally be “five minutes a day that will change your life.”
2. Don’t read the sutras. (I’m kidding!!) We’ve already settled on reading the sutras. But what I mean is, especially if you’re new to Buddhist literature, you might be happier beginning with a contemporary paraphrase or adaptation. In this way you can get to know, in a more familiar literary form, the main personalities, events, and teachings that populate the sutras themselves.
For instance, Thich Nhat Hanh’s gentle, glorious masterpiece Old Path White Clouds tells the Buddha’s life story in language as beautiful as it is accessible. Many of the Buddha’s significant deeds are recounted here—his awakening, his central teachings, his eventual passing into final nirvana, and more in between.
I read it early in my studies, and frankly wept at more than one point in the book. But after making the Buddha’s acquaintance in such a living, moving way, I found that I resonated deeply with him afterward, anytime he appeared in the sutras. Whether they are in a biographical novel like this, or another form such as Osamu Tezuka’s manga series Buddha, paraphrases and adaptations can be the shortest route to a lifelong love of the sutras.
3. Read the sutras… slowly. These days we’re used to consuming content rapidly, no matter what we’re looking at. But please, do not plow through the sutras like you’re doomscrolling the news.
To read slowly means, for one, to read in smaller chunks than one otherwise might. Especially when it comes to sacred texts, it can be better to spend a year or more burrowing slowly into a single one, really snuggling into it, than it is to run through a book a week and retain nothing but a sense of rush.
In fact, the masters tell us that great realizations can come on the basis of very short texts, rather than an entire book—sometimes just one stanza, or a single line. Understand this, and grant yourself the joy of appreciating some tiny sliver of your sutra.
Even the shortest teaching—maybe just a phrase—once it’s written on your heart, will spring up to offer help when you need it.
4. Be aware of your expectations, and be ready to recalibrate.
The sense of boredom we sometimes feel has a lot to do with unmet expectations. When it comes to storytelling, we may be used to a deeply psychological style of narrative, with particular conventions for explaining why characters act the way they do. There are modern conventions also around suspense, plotting, character development, tension, and resolution.
These conventions are what make a good twist possible—and what blockbuster these days doesn’t involve a twist or two?
The sutras may not share in these conventions. Many of the stories they tell were passed down in oral tradition before ever being committed to the page. For this reason among others, they can be quite unlike what we are accustomed to.
The sutras are nearly always more repetitive than we might like at first. And what’s up with these occasional stretches of verse? Why do people in certain stories suddenly burst into song? Did I just sit down to watch the television musical series Glee? Have I accidentally picked up a copy of J.R.R. Tolkien’s turgid, inexplicably song-filled history of Middle Earth, The Silmarillion?
If we’re not ready for these differences, they can become real stumbling blocks to approaching the sutras. There are a lot of ways to accommodate them and make your reading practice more enjoyable. But the simplest way to make it work might just be this:
5. Take time to identify with each person in the story, however large or small their role.
The (relative) lack of psychological detail in the sutras when compared to, say, Madame Bovary, actually leaves space for wonderment. We can ask ourselves, “Why would this person do this? What does that situation feel like? Who do I identify the most readily with, and who the least?”
What about those characters at the margins of certain stories—enslaved persons, eunuchs, spellcasters, denizens of hell? What do they make of the events taking place? How might they have felt about what they saw? What do they need, and how will they get it?
It is also a powerful practice to extend this identification to the Buddha and his disciples. What does it feel like when the Buddha “looks out in wisdom”? What might we see, if we understood karma as he does? What would it be like to possess the Buddha’s great compassion? What would we do then?
In asking these questions, we can start to understand the assumptions we bring to the sutras, and what the people in them are or could be. This provides a special opportunity to grow.
My final advice is:
6. Stop While You’re Still Having Fun. Learn to pay attention to your mental state, recognize fatigue before it sets in, and go easy on yourself.
Unless you have a certain amount you need to cover for some reason, when it comes to a regular practice of reading the sutras, less can be more. “Stop while you’re still having fun” is a quintessential meditation instruction, because stopping while you’re still enjoying the task means that you will have a positive memory of the time you spent, and be eager to return. The same goes for reading the sutras.
If you can get it right, and bring your reading practice to a close in a happy manner two or three days in a row, it will start to become a habit. That habit will bring energetic benefits over a few days, a week, or a month.
After that, pay attention to what happens when you don’t read for a day or two. If then you have what seems like an “unrelated” bad day, or a stretch of them—make a mental note. Remarking to yourself about the difference a few skipped days can make will instill a heartfelt and happy desire to read the sutras.
In time you’ll come to know an uncommon joy—the gift that comes from spending time each day with these precious beings in your heart.
Recommended Reading
A few suggestions to jumpstart your sutra reading practice:
1. Metta Sutta: Just two stanzas long, this sutta (as they are called in Pali) is a classic of the genre. It is profound, beautiful, and stirring. Recommended for practitioners of all levels looking for a deep well of wisdom they can draw from swiftly, that never runs dry.
2. Faith Mind Poem: Linked here in PDF form suitable for printing, these beautifully translated verses from the Zen tradition are a perfect foundation for infinite reflection. Faith Mind Poem is a wonderful read in any amount—in its entirety or any smaller part—like a diamond whose every refraction is of surpassing beauty.
3. Old Path White Clouds. A fantastic choice for novel gobblers. When Thich Nhat Hanh set out to paraphrase a number of foundational Chinese Mahayana sutras in novel form, he did so in a thoughtful way deliberately aimed at contemporary readers. The result is approachable, enjoyable, and breathtaking.
4. Buddha. Osamu Tezuka’s multi-volume series of graphic novels openly allows itself to stray somewhat from the Buddha’s story as told in the sutras. But it does so in just the ways that make for a gripping, exciting read. This choice is especially recommended to those who are visually-inclined, who love the graphic novel format, or are looking for something different from the usual Buddhist literary fare.
5. The Hundred Deeds. This sutra, just translated into English for the first time (full disclosure: in part by our writer!), and published by 84000.co, has been having a moment lately. It abounds with tales of ordinary people whose stories provide the fodder for important teachings from the Buddha on karmic cause and effect. In turns hilarious and heartbreaking, this sutra is now also available in a new illustrated edition.
♦
For more, check out Dhamma Wheel, a daily email course designed to deepen your understanding of Buddhist wisdom and gradually integrate it into your meditation practice and your life. Sign up and you’ll receive one email per day containing a brief study text from the Pali canon, a commentary, and a practical contemplation for that day.
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Via EBMG / FB: Roadkill Bodhisvatta
Friday, July 2, 2021
Via Daily Dharma: From Rocks to Sparkling Dew
Thursday, July 1, 2021
Via Daily Dharma: Learning From Our Mistakes