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Sunday, October 29, 2023
Via Dhamma Wheel | Right Mindfulness and Concentration: Establishing Mindfulness of Mental Objects and the Fourth Jhāna
Saturday, October 28, 2023
Via Be Here Now Network //
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Via Dhamma Wheel | Right Effort: Maintaining Arisen Healthy States
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Via Daily Dharma: The Practitioner’s Koan
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Via LGBTQ Nation //
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Via Tricycle // Why Do We Practice Buddhism?
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Via White Crane Institute // THE EQUAL CREDIT OPPORTUNITY ACT (ECOA)
Noteworthy  1974 - THE EQUAL CREDIT OPPORTUNITY ACT (ECOA) is a United States law (codified at 15 U.S.C. § 1691 et seq.), enacted October 1974, that makes it unlawful for any creditor to discriminate against any applicant, with respect to any aspect of a credit transaction, on the basis of race, color, religion, national origin, sex, marital status, or age (provided the applicant has the capacity to contract); the applicant's use of a public assistance program to receive all or part of their income; or the applicant's previous good-faith exercise of any right under the Consumer Credit Protection Act. Technically, women won the right to open a bank account in the 1960s, but many banks still refused to let women do so without a signature from their husbands. This meant men still held control over women’s access to banking services, and unmarried women were often refused service by financial institutions. The Equal Credit Opportunity Act prohibited financial institutions from discriminating against applicants based on their sex, age, marital status, religion, race or national origin. Because of the act’s passage, women could finally open bank accounts independently. The law applies to any person who, in the ordinary course of business, regularly participates in a credit decision, including banks. retailers, bankcard companies, finance companies, and credit unions. The part of the law that defines its authority and scope is known as Regulation B, that appears in Title 12 part 1002's official identifier: 12 C.F.R. § 1002.1(b) (2017). Failure to comply with Regulation B can subject a financial institution to civil liability for actual and punitive damages in individual or class actions. Liability for punitive damages can be as much as $10,000 in individual actions and the lesser of $500,000 or 1% of the creditor's net worth in class actions. Before the enactment of the law, lenders and the federal government frequently and explicitly discriminated against female loan applicants and held female applicants to different standards from male applicants. A large coalition of women's and civil rights groups pressured the government to pass the ECOA (and the Housing and Community Development Act of 1974) to prohibit such discrimination. I hope it gives all of us pause to understand this is a mere 50 years ago. Something that occurred within the lifetimes of many of us. And along with other rights most of us take for granted, are under siege. VOTE VOTE VOTE (another right women only achieved 100 years ago.) | ||
|8|O|8|O|8|O|8|O|8|O|8|O|8|O|8 Gay Wisdom for Daily Living from White Crane Institute "With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson Exploring Gay Wisdom & Culture since 1989! |8|O|8|O|8|O|8|O|8|O|8|O|8|O|8 |
Via White Crane Institute // Evelyn Waugh
1903 -
EVELYN WAUGH British poet and novelist, born (d: 1966); The original "boy named Sue", Waugh was an English writer, best known for such satirical and darkly humorous novels as Decline and Fall, Vile Bodies, Scoop, A Handful of Dust, and The Loved One, as well as for broader and more personal works, such as Brideshead Revisited and the Sword of Honor trilogy, that are influenced by his own experiences and his conservative and Catholic viewpoints.
Many of Waugh's novels depict British aristocracy and high society, which he satirizes but to which, paradoxically, he was also strongly attracted. In addition, he wrote short stories, three biographies, and the first volume of an unfinished autobiography. His travel writings and his extensive diaries and correspondence have also been published.
In 1944, American literary critic Edmund Wilson pronounced Waugh "the only first-rate comic genius that has appeared in English since Bernard Shaw," while Time magazine declared that he had "developed a wickedly hilarious yet fundamentally religious assault on a century that, in his opinion, had ripped up the nourishing taproot of tradition and let wither all the dear things of the world." Waugh's works were very successful with the reading public and he was widely admired by critics as a humorist and prose stylist.
In his notes for an unpublished review of Brideshead Revisited, George Orwell declared that Waugh was "about as good a novelist as one can be while holding untenable opinions." The American conservative commentator William F. Buckley, Jr. found in Waugh "the greatest English novelist of the century," while his liberal counterpart Gore Vidal called him "our time's first satirist."
After gallantly protecting T. S. Eliot from “the specious assumption that he was homosexual,” T.S. Matthews in Great Tom, suddenly became viciously ungallant: “It is peppery, glaring little men like Evelyn Waugh who are sexually suspect – as his diaries bear witness.”
Aside from the psychologically interesting opposition of “great” Tom and “little” Evelyn, it’s perfectly clear that the former editor of Time magazine has no particularly liking for either homosexuality or Evelyn Waugh. The very word “suspect” is suspect. Many people disliked Waugh personally. He could be unkind, ungenerous and ornery. But he was one of the greatest prose stylists of the 20th century, if not the greatest, and the idea of using the word “little” on a giant such as he is at best, odd.
Indeed, his diaries do clearly reveal him as a Gay man. But then so do his novels, particularly Brideshead Revisited, in which the friendship of Charles and Sebastian, despite the limitations of what he was allowed to write in the early 1940s, is magnificently drawn.
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Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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