There is great delight in tuning in through a variety of different
methods, and really looking to each method to move you in its own unique
way, but also keep opening you. So be very generous in your opening to
methods, because if you bring to them a pure heart and a yearning to be
free, they will serve you in that way. - Ram Dass
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The animated short "A Wild Hare" is released, introducing the character of BUGS BUNNY. Bug went on to demonstrate a definite talent for cross dressing. Bugs Bunny has some similarities to figures from mythology and folklore, such as Bre’r Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (repeatedly using cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery.
TODAY’S GAY WISDOM
In the following list of cartoons, Bugs appears in some form of ladies garb or does a female-like turn:
Hare-um Scare-um (Hardaway/Dalton, 1939)
Bugs dresses up as a female dog to spoof the hunting dog.
Elmer’s Pet Rabbit (Jones, 1941)
Bugs dances with Fudd and addresses him saying, Katherine Hepburn-like, “You dance divinely, really you do.”
The Heckling Hare (Avery, 1941)
The dog believing that he killed Bugs, lays flowers next to his home,
and Bugs takes the dog’s flowers coquétteishly, saying “For me? Oh, you
darling!”
The Wabbit Who Came to Supper (Freleng, 1942)
After shaving his face and underarms, and puff powdered, Bugs appears in
womens’ lingerie and screams as Fudd opens the door on him.
Bugs Bunny Gets the Boid (Clampett, 1942)
Dances with Beaky Buzzard and asks “Why don’t we do this more often?”
Also appears interrupted mid-shower by the bird, and replies coyly “You
naughty, naughty boy!”
Super-Rabbit (Jones, 1943)
Brief appearance as Little Bo Peep owing to a costume mixup in a phone booth when changing into Super-Rabbit.
A Corny Concerto (Clampett, 1943)
Appears as a ballerina, ultimately wrapping his brassiere around the heads of Porky and his hunting dog.
What’s Cookin’ Doc? (Clampett, 1944)
Arises, Carmen Miranda-like, from a mountain of fruits and vegetables which have been hurled at him.
Bugs Bunny Nips the Nips (Freleng, 1944)
Appears as a geisha who mallets a Sumo wrestler.
Hare Ribbin’ (Clampett, 1944)
Appears as a blonde mermaid, driving the Mad Russian dog – well, mad.
Stage Door Cartoon (Freleng, 1945) One of the can-can dancers Fudd whistles at.
Herr Meets Hare (Freleng, 1945)
Appears as a Wagnerian heroine dancing with Hermann Göering. Same gag used again in What’s Opera, Doc? (Jones, 1957).
Hare Conditioned (Jones, 1945)
Appears as a lady customer who charms the Gildersleeve-like floorwalker,
laughing hysterically when Gildersleeve tickles “her” mannequin’s foot.
Hare Trigger (Freleng, 1945)
In an old western setting, Yosemite Sam gets embarassed when opening a train door compartment only to find Bugs getting dressed.
Hair-Raising Hare (Jones, 1946)
Bugs distracts the pursuance by Gossamer (a hairy, orange,
sneaker-wearing monster) acting as a beauty parlor stereotypical
effeminate male manicurist. In a very feminine speech pattern, he states
“I said to my girlfriend just the other day, …” Same gag except as a
hairdresser used in Water, Water, Every Hare (Jones, 1952).
Easter Yeggs (McKimson, 1947)
Bugs ends up floating in a raft through a log upon which Elmer jumps in,
only to come out the other end of the log (“Tunnel of Love”) with Elmer
hugging Bugs and Bugs replying in a feminine voice, “I bet you say that
to all the women.”
Mississippi Hare (Jones, 1948)
Appears as a dainty southern belle who is rescued by a big southern beau
from the clutches of Colonel Shuffle. When the beau discovers Bugs is a
rabbit, he goes into a trance and walks off the boat, prompting Bugs to
observe that he almost had a happy ending.
Haredevil Hare (Jones, 1948)
Bugs as coquétte again, romancing K-9, observes that “there’s a beautiful Earth out tonight.”
Hare Splitter (Freleng, 1948)
Bugs impersonates his girlfriend Daisy Lou to abuse a rival, Casbah.
Bowery Bugs (Davis, 1949)
Bugs uses many disguises in this one, one of which is female, in order
to heckle Steve Brodie, to the extent that Brodie jumps off the Brooklyn
Bridge.
Long-Haired Hare (Jones, 1949)
Bugs appears as a bobby-soxer, asking for the autograph of Giovanni Jones with a dynamite pen.
Frigid Hare (Jones, 1949)
Bugs appears as an Eskimo woman to woo an Eskimo hunter away from
catching a cute little penguin at the South Pole. The infatuated hunter
gives Bugs a gift – a fish, which Bugs wears as a woman’s hat briefly
before clobbering the hunter with it.
Rabbit of Seville (Jones, 1949)
Elmer chases Bugs into an opera house, where they wind up on stage
performing The Barber of Seville. Bugs dresses up in a green dress,
later dances with a wobbly Elmer, ending with Elmer dressed as a bride
and Bugs the groom.
The Windblown Hare (McKimson, 1949)
Beginning with the wolf playing the role from The Three Little Pigs and
changing to Little Red Riding Hood, Bugs appears as Little Red Riding
Hood singing The Rabbit in Red to the tune of The Lady in Red.
What’s Up Doc? (McKimson, 1950)
Bugs tells of his career in flashback, from piano-playing as a baby to
stardom at Warner Brothers, which includes a time when he appears as a
ballerina.
Hillbilly Hare (McKimson, 1950)
Appears as an Ozark cutie who wows the Martin brothers.
Rabbit Fire (Jones, 1951)
Bugs appears as a huntress with Daffy as Gypsy, her hunting dog.
Water, Water, Every Hare (Jones, 1952)
Bugs portrays himself as a beauty parlor stereotypical effeminate male
hairdresser to Gossamer, during which he strikes a pose in a very
feminine manner. Same gag except as a manicurist used in Hair-Raising
Hare (Jones, 1946).
Rabbit Seasoning (Jones, 1952)
Appears as a “stacked” Lana Turner-type, who bamboozles Fudd into shooting her a duck.
Southern Fried Rabbit (Freleng, 1952)
Bugs crosses the Mason-Dixon line towards Alabama where the carrot crop
is healthy, only to encounter Yosemite Sam as a confederate soldier. Sam
searches inside a southern plantation, while Bugs is dressed as a
southern belle.
Hare Trimmed (Freleng, 1953)
First as Granny, then eloping with Yosemite Sam as a bride. Bugs’ bridal
gown gets caught on a nail, revealing his tail. Upon seeing this, Sam
goes nuts.
Robot Rabbit (Freleng, 1953)
Bugs once again dances with Fudd and addresses him saying, Katherine
Hepburn-like, “You dance divinely, really you do.” Later, to distract a
robot destroyer, Bugs appears as a robot cutie – in a potbellied stove,
no less.
Rabbit Rampage (Jones, 1955)
Bugs, who has definite ideas as to how he should be drawn, clashes with
and irritates the cartoonist who creates him, who proceeds to draw Bugs
in all kinds of outrageous costumy appearance including two large hat
scenes.
Napoleon Bunny-part (Freleng, 1956)
Bugs dresses as Josephine in a pink french gown and bonnet to fool Napoleon.
To Hare is Human (Jones, 1956)
Bugs dresses in a pink apron skirt with his ears tied in a bow during
house cleaning chores, while Wile E. Coyote consults his Univac computer
as to how to capture Bugs.
What’s Opera, Doc? (Jones, 1957)
In perhaps his most famous example of crossdressing, Bugs appears as
Brünnhilde and sings the Maltese aria Return My Love, (set to Wagner’s
Pilgrim Theme from Tannhäuser) with Elmer Fudd.
Bedevilled Rabbit (McKimson, 1957)
Bugs appears as a Tasmanian She-Devil to attract Taz.
Now, Hare This (McKimson, 1958)
Using the stories Little Red Riding Hood and Goldilocks and the Three
Bears with three “male” characters (Bugs, Big Bad Wolf and his Nephew)
could only result in all of them crossdressing. In the beginning skit
the Nephew appears as Little Red Riding Hood and Bugs takes over that
role while the Big Bad Wolf plays Grandma. The following skit has Bugs
playing Goldilocks while the Big Bad Wolf doubles as Papa Bear and Mama
Bear.
Hare-abian Nights (Harris, 1959)
Bugs finds himself having to entertain the Sultan as a story teller, and
recalls a scene from Water, Water, Every Hare (Jones, 1952) where he
portrays himself as a beauty parlor stereotypical effeminate male
hairdresser.
Backwoods Bunny (McKimson, 1959)
While vacationing in the Ozarks, Bugs appears as a woman to distract a hillbilly buzzard from shooting him.
The Unmentionables (Freleng, 1963)
Appears as a flapper who kicks Rocky while doing the Charleston.
Bill of Hare (McKimson, 1962)
Bugs finds himself thrown in a cooking pot by Taz, only to pop out as a woman taking a bath.
Dr. Devil and Mr. Hare (McKimson, 1964)
Bugs teases Taz as a nurse.
Carrotblanca (Cahill/McNally, 1995)
In a theatrical short of the classic movie Casablanca with a Looney Tune
twist, featuring beloved Bugs Bunny as the carrot-chomping proprietor
(Bogart) of a wacky distortion of Casablanca’s Cafe Americain, Bugs
appears as a blonde in a pink dress just before hitting Yosemite Sam
with a pink purse containing an anvil.
From Hare To Eternity (Jones/Clough, 1996)
A musical/theatrical short with the Swashbuckler Yosemite Sam digging
for treasure and finding Bugs, who distracts Sam by appearing as
Buttercup, a mermaid.
Eh..tha—th-th-th-th-th-th-
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