A personal blog by a graying (mostly Anglo with light African-American roots) gay left leaning liberal progressive married college-educated Buddhist Baha'i BBC/NPR-listening Professor Emeritus now following the Dharma in Minas Gerais, Brasil.
Wednesday, September 14, 2022
Via Dhamma Wheel | Right Speech: Refraining from Malicious Speech
Refraining from Malicious Speech
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One week from today: Refraining from Harsh Speech
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Questions? Visit the Dhamma Wheel orientation page.
Via Daily Dharma: Investigating Desire
By going into the experience of desire itself, rather than acting on it, you let go of the belief that you are incomplete.
Ken McLeod, “You Can’t Always Get What You Want”
CLICK HERE TO READ THE FULL ARTICLE
Via Ram Dass - Love Serve Remember Foundation // Words of Wisdom - September 14, 2022 💌
"Now the elegance of karma yoga is, the very act you do to help another person is simultaneously the act you’re doing to work on yourself. Like, I am helping you now, at some level, but this act is my work on myself. Because the clearer I get, the better my help is for you. So I’m serving as an act to work on myself; I am working on myself as an act to better serve you. Can you see how the circle works? Can you see the elegance of that?"
- Ram Dass -
From Here & Now Ep. 207: Getting Free with Karma Yoga
Tuesday, September 13, 2022
Via White Crane Institute // SIR FRANCIS SCOTT KEY
SIR FRANCIS SCOTT KEY wrote “The Star-Spangled Banner” on this day. We celebrate this as a moment in Gay history because the theme of the anthem is based on the then popular “Anacreon in Heaven.” Ahhhh...Anacreon. Who was Anacreon? Born in Teos, Ionia circa 570 BCE, Anacreon was one of the nine Lyric Poets of the golden age of Greek poetry. And being the good and manly Greek he was, Anacreon’s poems and odes were largely about the beautiful boys he loved or longed for or held in his arms as he cooed lyrical poetry to them. He kisses and tells; he names names: Smerdis, Leukapsis, Smialus, Eurylus and Bathyluss, probably the boy band of the day.
The structure of his poesy was so popular in its own time that others imitated the eponymously named “Anacreontics.” Anacreon was rediscovered by English poets in the 19th century and they swooned for him like a well-oiled boy in the gymnasium. The vogue for Anacreontics in English culminated in the popular song “Anacreon in Heaven,” the famously un-singable tune for the American national anthem. There have been attempts to convince Congress to seek a new national anthem, something a tad more accessible vocally for the masses. Our bet: if you want to accelerate this movement, just whisper in the ear of the Moral Majority the story of the foreign fay and his poems about “dipping his star-spangled banana” in young men. (thank you Perry Brass!) That ought to do the trick.
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Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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Via White Crane Institute // ALAIN LOCKE
This Day in Gay History
September 13
ALAIN LOCKE (d: 1954) An American writer, editor, philosopher, educator and patron of the arts was born on this date. He is best known for his writings on and about the Harlem Renaissance. He is unofficially called the "Father of the Harlem Renaissance." His philosophy served as a strong motivating force in keeping the energy and passion of the Movement at the forefront.
In classic same-sex “culture carrier” mode, Locke promoted African American artists, writers, and musicians, encouraging them to look to Africa as an inspiration for their works. He encouraged them to depict African and African American subjects, and to draw on their history for subject material. Locke edited the March 1925 issue of the periodical Survey Graphic, a special on Harlem and the Harlem Renaissance, which helped educate white readers about the flourishing culture there.
Later that year, he expanded the issue into The New Negro, a collection of writings by African Americans, which would become one of his best known and seminal works.
His philosophy of the New Negro was grounded in the concept of race-building. Its most important component is overall awareness of the potential black equality; No longer would blacks allow themselves to adjust themselves or comply with unreasonable white requests. This idea was based on self-confidence and political awareness. Although in the past the laws regarding equality had been ignored without consequence, Locke's philosophical idea of The New Negro allowed for real fair treatment. Because this was just an idea and not an actual bylaw, its power was held in the people. If they wanted this idea to flourish, they were the ones who would need to "enforce" it through their actions and overall points of view. Locke has been said to have greatly influenced and encouraged Zora Neale Hurston.
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Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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Via Daily Dharma: Look to Your Heart
If we study our own hearts, we’ll find that everything is written there.
Ayya Medhanandi Bhikkhuni, “The Dharma of Snow”
CLICK HERE TO READ THE FULL ARTICLE
Via Dhamma Wheel | Right Intention: Cultivating Compassion
Cultivating Compassion
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One week from today: Cultivating Appreciative Joy
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Questions? Visit the Dhamma Wheel orientation page.
Monday, September 12, 2022
Via Daily Dharma: Rest in Experience
When
experiential understanding arises, release all words and concepts. Rest
mind within that experience, like resting mind on the breath in
shamatha.
Lama Karma Yeshe Chödrön, “Wording the Dharma”
CLICK HERE TO READ THE FULL ARTICLE
Via Dhamma Wheel | Right View: Understanding the Noble Truth of the Origin of Suffering
Understanding the Noble Truth of the Origin of Suffering
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One week from today: Understanding the Noble Truth of the Cessation of Suffering
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Questions? Visit the Dhamma Wheel orientation page.
Sunday, September 11, 2022
Via Tricycle // Working with the Five Remembrances
Working with the Five Remembrances
By Tina Lear
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Via Tricycle // Ocean Vuong
Why Buddhist Poet Ocean Vuong Practices a Death Meditation
With Ocean Vuong
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Via White Crane Institute // 9/11 - Today's Gay Wisdom
It is the 20th anniversary of the terror attack on the World Trade Centers, the Pentagon and on fellow citizens of this country. The Bush administration began planning war even before the tragic events of 9/11/01, but that it was the causus belli for which they were waiting and the day after 9/11 they went to work to weave the web of lies they used to bring us into an unjust and even more tragically, unnecessary war.
As the shadows of war slowly began to spread across our country, White Crane offered an issue devoted to the spiritual idea of “Resistance.” Performance artist and author, Tim Miller spoke about the role resistance played in his art.
The rise of Fascism and Racism and the plutocracy of the Republicans has made resistance new again. If not “new” then as pressing as ever. The war that was started twenty years ago still rages on, chewing up blood and treasure in its belligerent maw. We live in the Chinese curse of “interesting times.” I don’t hesitate to say it’s scary.
So in observation of 9/11, now more than a decade later, and in light of current events, it is a idea and a discussion worth revisiting.
Art of Resistance
Tim Miller
Even more than in my performances, I think I have been able to explore and dismantle the worst of our patriarchal legacy as men through the Gay men's performance workshops I teach. For almost twenty years I have been leading performance workshops for groups of men all over the world. These workshops have been a place for men to resist the patriarchal legacy by physically exploring in full-color real time their most intimate narratives, memories, dreams and possibilities with one another.
While I have often done this work with mixed groups of straight, bi-sexual and Gay men, the majority of my efforts have been within the diverse Gay men's communities in the United States, Australia and the United Kingdom. A constant focus, the base note as it were, of all this work, has been a commitment to discovering a more authentic and individualized way of being present within our deeply problematized men's psyches and bodies. I have taught such workshops in contexts as varied as at the Men & Masculinities conference that was sponsored by the National Organization of Men Against Sexism (NOMAS) in Johnstown, Pennsylvania to hundreds of performance workshops for Gay men in cities from Sydney, Australia to Glasgow, Scotland. .
In the work I do with groups of Gay men, I have learned that finding a way to be more present in our embodied selves and open to the narratives that we carry in our queer flesh and blood is the quickest route to discovering the revelatory material about what it just might mean to be human. Claiming this kind of psychic space to explore our most queeny, spiritual or erotic selves as Gay men is to me a profound act of resistance.
In 1994 frayed from the culture war and onslaught of AIDS, I made a show called Naked Breath in which I wanted to write a sexy and highly personal story about how two men, one HIV-positive and one negative, managed to connect. After several years in the late 80's and early 90's of shouting in front of government buildings or being dragged by cops down the asphalt on the streets of Los Angeles or Houston or San Francisco or New York with ACT-UP, I felt called to really honor the quiet human-size victories that are available to us.
To model the resistance to fear of each other’s bodies across sero-status, but also to perform the resistance to the virus' negative effects to our psychic and emotional health as we did this. I wanted to try to locate what has happened to us during the AIDS era and hold up the hopeful fact that men were still able to get close to one another there amid the swirl of blood within and the cum smeared on our bodies. In Naked Breath I am surrounded by both these bodily fluids; I wanted to get wet in this performance. I also wanted that we could do this safely and full of respect for each other's bodies.
My new show Us is full of nascent little queer boy resistance, but my show GLORY BOX has my favorite example. I tell a funny story in GLORY BOX about asking a boy to marry me when I was nine years old. He beats me up and tells me to "take it back". I do "take it back—that I wanted to marry him—but I cross my fingers behind me before I do! Maybe that was the beginning of my resistance and activism! That gave me the basic dissatisfaction with stuff that just isn't fair.
I do think though, that Gay Americans are ready to submit to a basic disrespect to their humanity that Gay people in other western countries would find unacceptable. We have accommodated to sodomy laws, Gays not allowed in the military etc. We have that damn radical religious right in the U.S. that other countries just don't have. It infects everything. If queer folks in America would actually be prepared to resist we could change so much that messes with our community. That old devil of internalized homophobia gets in our way.
I keep trying to stay close to that little nine-year old who knew that it just wasn't fair that he couldn't marry another boy! This is very much connected to the story I tell in Us about relating to Oliver Twist in the film musical as a little queer activist. He, too, wanted some "more!” That crucial act: wanting to marry another boy, of claiming space and agency as a little nine-year-old Gay boy, that resistance to the heterosexual narrative, is the place from where all my other activism around lesbian and Gay civil marriage and immigration rights leaps.
Tim Miller is the author of SHIRTS AND SKINS and BODY BLOWS. In 1990 he was awarded an NEA Solo Performance Fellowship which was overturned under political pressure from the Bush I White House. As part of the NEA 4 Miller successfully sued the federal government for violation of First Amendment rights and won. Though this decision was later partially overturned by the Supreme Court, Miller continues his fight for freedom of expression and Gay rights.
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Gay Wisdom for Daily Living from White Crane Institute
"With the increasing commodification of gay news, views, and culture by powerful corporate interests, having a strong independent voice in our community is all the more important. White Crane is one of the last brave standouts in this bland new world... a triumph over the looming mediocrity of the mainstream Gay world." - Mark Thompson
Exploring Gay Wisdom & Culture since 1989!
www.whitecraneinstitute.org
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Via Daily Dharma: The Radiance of Liberation
Gratitude, the simple and profound feeling of being thankful, is the foundation of all generosity.
—Sallie Tisdale, dharma teacher and author
The
Buddha’s teaching that “Nothing whatsoever is worth clinging to”
doesn’t entail a loss or a diminishing of anything other than greed,
hate, and delusion. It points to the radiance of liberation, far beyond
the practice of mindfulness.
Gil Fronsdal, “When Mindfulness Is Too Much”
CLICK HERE TO READ THE FULL ARTICLE
Via Dhamma Wheel | Right Mindfulness and Concentration: Establishing Mindfulness of Body and Abiding in the First Jhāna
Establishing Mindfulness of Body
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One week from today: Establishing Mindfulness of Feeling and Abiding in the Second Jhāna
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Questions? Visit the Dhamma Wheel orientation page.
Via Ram Dass - Love Serve Remember Foundation // Words of Wisdom - September 11, 2022 💌
One time I had a moment with Maharajji when I was sitting across the
courtyard from him – he was talking to a group of people and I was
watching everybody fawn all over him asking questions, and I thought,
“What a bunch of crap.” You know, “What am I doing here? I don’t care if
I never see this guy again.” And I felt immediately guilty about the
thought.
Then Maharajji turned and looked over at me and then grabbed an old man,
this old fellow, and he whispered to him and sent him flying, the guy
came running across to me, bent down and touched my feet, and said,
“Maharajji said, ‘Ram Dass and I understand each other perfectly.’"
- Ram Dass -