Saturday, July 27, 2024

Via White Crane Institute -- BUGS BUNNY


 

Noteworthy
A Wild Hare (1940)
1940 -

The animated short "A Wild Hare" is released, introducing the character of BUGS BUNNY. Bug went on to demonstrate a definite talent for cross dressing. Bugs Bunny has some similarities to figures from mythology and folklore, such as Bre’r Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (repeatedly using cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery.



Today's Gay Wisdom
2017 -

TODAY’S GAY WISDOM

In the following list of cartoons, Bugs appears in some form of ladies garb or does a female-like turn:

Hare-um Scare-um (Hardaway/Dalton, 1939)
Bugs dresses up as a female dog to spoof the hunting dog.

Elmer’s Pet Rabbit (Jones, 1941)
Bugs dances with Fudd and addresses him saying, Katherine Hepburn-like, “You dance divinely, really you do.”

The Heckling Hare (Avery, 1941)
The dog believing that he killed Bugs, lays flowers next to his home, and Bugs takes the dog’s flowers coquétteishly, saying “For me? Oh, you darling!”

The Wabbit Who Came to Supper (Freleng, 1942)
After shaving his face and underarms, and puff powdered, Bugs appears in womens’ lingerie and screams as Fudd opens the door on him.

Bugs Bunny Gets the Boid (Clampett, 1942)
Dances with Beaky Buzzard and asks “Why don’t we do this more often?” Also appears interrupted mid-shower by the bird, and replies coyly “You naughty, naughty boy!”

Super-Rabbit (Jones, 1943)
Brief appearance as Little Bo Peep owing to a costume mixup in a phone booth when changing into Super-Rabbit.

A Corny Concerto (Clampett, 1943)
Appears as a ballerina, ultimately wrapping his brassiere around the heads of Porky and his hunting dog.

What’s Cookin’ Doc? (Clampett, 1944)
Arises, Carmen Miranda-like, from a mountain of fruits and vegetables which have been hurled at him.

Bugs Bunny Nips the Nips (Freleng, 1944)
Appears as a geisha who mallets a Sumo wrestler.

Hare Ribbin’ (Clampett, 1944)
Appears as a blonde mermaid, driving the Mad Russian dog – well, mad.

Stage Door Cartoon (Freleng, 1945) One of the can-can dancers Fudd whistles at.

Herr Meets Hare (Freleng, 1945)
Appears as a Wagnerian heroine dancing with Hermann Göering. Same gag used again in What’s Opera, Doc? (Jones, 1957).

Hare Conditioned (Jones, 1945)
Appears as a lady customer who charms the Gildersleeve-like floorwalker, laughing hysterically when Gildersleeve tickles “her” mannequin’s foot.

Hare Trigger (Freleng, 1945)
In an old western setting, Yosemite Sam gets embarassed when opening a train door compartment only to find Bugs getting dressed.

Hair-Raising Hare (Jones, 1946)
Bugs distracts the pursuance by Gossamer (a hairy, orange, sneaker-wearing monster) acting as a beauty parlor stereotypical effeminate male manicurist. In a very feminine speech pattern, he states “I said to my girlfriend just the other day, …” Same gag except as a hairdresser used in Water, Water, Every Hare (Jones, 1952).

Easter Yeggs (McKimson, 1947)
Bugs ends up floating in a raft through a log upon which Elmer jumps in, only to come out the other end of the log (“Tunnel of Love”) with Elmer hugging Bugs and Bugs replying in a feminine voice, “I bet you say that to all the women.”

Mississippi Hare (Jones, 1948)
Appears as a dainty southern belle who is rescued by a big southern beau from the clutches of Colonel Shuffle. When the beau discovers Bugs is a rabbit, he goes into a trance and walks off the boat, prompting Bugs to observe that he almost had a happy ending.

Haredevil Hare (Jones, 1948)
Bugs as coquétte again, romancing K-9, observes that “there’s a beautiful Earth out tonight.”

Hare Splitter (Freleng, 1948)
Bugs impersonates his girlfriend Daisy Lou to abuse a rival, Casbah.

Bowery Bugs (Davis, 1949)
Bugs uses many disguises in this one, one of which is female, in order to heckle Steve Brodie, to the extent that Brodie jumps off the Brooklyn Bridge.

Long-Haired Hare (Jones, 1949)
Bugs appears as a bobby-soxer, asking for the autograph of Giovanni Jones with a dynamite pen.

Frigid Hare (Jones, 1949)
Bugs appears as an Eskimo woman to woo an Eskimo hunter away from catching a cute little penguin at the South Pole. The infatuated hunter gives Bugs a gift – a fish, which Bugs wears as a woman’s hat briefly before clobbering the hunter with it.

Rabbit of Seville (Jones, 1949)
Elmer chases Bugs into an opera house, where they wind up on stage performing The Barber of Seville. Bugs dresses up in a green dress, later dances with a wobbly Elmer, ending with Elmer dressed as a bride and Bugs the groom.

The Windblown Hare (McKimson, 1949)
Beginning with the wolf playing the role from The Three Little Pigs and changing to Little Red Riding Hood, Bugs appears as Little Red Riding Hood singing The Rabbit in Red to the tune of The Lady in Red.

What’s Up Doc? (McKimson, 1950)
Bugs tells of his career in flashback, from piano-playing as a baby to stardom at Warner Brothers, which includes a time when he appears as a ballerina.

Hillbilly Hare (McKimson, 1950)
Appears as an Ozark cutie who wows the Martin brothers.

Rabbit Fire (Jones, 1951)
Bugs appears as a huntress with Daffy as Gypsy, her hunting dog.

Water, Water, Every Hare (Jones, 1952)
Bugs portrays himself as a beauty parlor stereotypical effeminate male hairdresser to Gossamer, during which he strikes a pose in a very feminine manner. Same gag except as a manicurist used in Hair-Raising Hare (Jones, 1946).

Rabbit Seasoning (Jones, 1952)
Appears as a “stacked” Lana Turner-type, who bamboozles Fudd into shooting her a duck.

Southern Fried Rabbit (Freleng, 1952)
Bugs crosses the Mason-Dixon line towards Alabama where the carrot crop is healthy, only to encounter Yosemite Sam as a confederate soldier. Sam searches inside a southern plantation, while Bugs is dressed as a southern belle.

Hare Trimmed (Freleng, 1953)
First as Granny, then eloping with Yosemite Sam as a bride. Bugs’ bridal gown gets caught on a nail, revealing his tail. Upon seeing this, Sam goes nuts.

Robot Rabbit (Freleng, 1953)
Bugs once again dances with Fudd and addresses him saying, Katherine Hepburn-like, “You dance divinely, really you do.” Later, to distract a robot destroyer, Bugs appears as a robot cutie – in a potbellied stove, no less.

Rabbit Rampage (Jones, 1955)
Bugs, who has definite ideas as to how he should be drawn, clashes with and irritates the cartoonist who creates him, who proceeds to draw Bugs in all kinds of outrageous costumy appearance including two large hat scenes.

Napoleon Bunny-part (Freleng, 1956)
Bugs dresses as Josephine in a pink french gown and bonnet to fool Napoleon.

To Hare is Human (Jones, 1956)
Bugs dresses in a pink apron skirt with his ears tied in a bow during house cleaning chores, while Wile E. Coyote consults his Univac computer as to how to capture Bugs.

What’s Opera, Doc? (Jones, 1957)
In perhaps his most famous example of crossdressing, Bugs appears as Brünnhilde and sings the Maltese aria Return My Love, (set to Wagner’s Pilgrim Theme from Tannhäuser) with Elmer Fudd.

Bedevilled Rabbit (McKimson, 1957)
Bugs appears as a Tasmanian She-Devil to attract Taz.

Now, Hare This (McKimson, 1958)
Using the stories Little Red Riding Hood and Goldilocks and the Three Bears with three “male” characters (Bugs, Big Bad Wolf and his Nephew) could only result in all of them crossdressing. In the beginning skit the Nephew appears as Little Red Riding Hood and Bugs takes over that role while the Big Bad Wolf plays Grandma. The following skit has Bugs playing Goldilocks while the Big Bad Wolf doubles as Papa Bear and Mama Bear.

Hare-abian Nights (Harris, 1959)
Bugs finds himself having to entertain the Sultan as a story teller, and recalls a scene from Water, Water, Every Hare (Jones, 1952) where he portrays himself as a beauty parlor stereotypical effeminate male hairdresser.

Backwoods Bunny (McKimson, 1959)
While vacationing in the Ozarks, Bugs appears as a woman to distract a hillbilly buzzard from shooting him.

The Unmentionables (Freleng, 1963)
Appears as a flapper who kicks Rocky while doing the Charleston.

Bill of Hare (McKimson, 1962)
Bugs finds himself thrown in a cooking pot by Taz, only to pop out as a woman taking a bath.

Dr. Devil and Mr. Hare (McKimson, 1964)
Bugs teases Taz as a nurse.

Carrotblanca (Cahill/McNally, 1995)
In a theatrical short of the classic movie Casablanca with a Looney Tune twist, featuring beloved Bugs Bunny as the carrot-chomping proprietor (Bogart) of a wacky distortion of Casablanca’s Cafe Americain, Bugs appears as a blonde in a pink dress just before hitting Yosemite Sam with a pink purse containing an anvil.

From Hare To Eternity (Jones/Clough, 1996)
A musical/theatrical short with the Swashbuckler Yosemite Sam digging for treasure and finding Bugs, who distracts Sam by appearing as Buttercup, a mermaid.

Eh..tha—th-th-th-th-th-th-That’s All Folks!


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Via Dhamma Wheel | Right Effort: Developing Unarisen Healthy States

 


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RIGHT EFFORT
Developing Unarisen Healthy States
Whatever a person frequently thinks about and ponders, that will become the inclination of their mind. If one frequently thinks about and ponders healthy states, one has abandoned unhealthy states to cultivate healthy states, and then one’s mind inclines to healthy states. (MN 19)

Here a person rouses the will, makes an effort, stirs up energy, exerts the mind, and strives to develop the arising of unarisen healthy mental states. One develops the unarisen awakening factor of energy. (MN 141)
Reflection
Energy is a word with many different meanings in English. Here it refers to a mental state that may or may not co-arise with other mental states. Its presence or absence determines how much effort we put into whatever we are doing in any given moment. Energy levels can be adjusted by intention. Sometimes we need to put more effort into what we are doing; sometimes we need to back off and stop trying so hard.

Daily Practice
Since our concern here is developing healthy states, working with energy is a means of supporting such things as practicing when you don't feel like it, being patient when your impulses are urging otherwise, and looking more closely at a situation to see where the wisdom is to be found in it. Think of energy as an impersonal factor you can either dial up or dial down, depending on the situation.

Tomorrow: Establishing Mindfulness of Mind and Abiding in the Third Jhāna
One week from today: Maintaining Arisen Healthy States

Share your thoughts and join the conversation on social media
#DhammaWheel

Questions?
Visit the Dhamma Wheel orientation page.



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Via Daily Dharma: Fooled by the Self

 

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Fooled by the Self

We usually take ourselves too seriously; this is one way the self fools us.

Ajahn Sundara, “Seeing the Silliness of Me”


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Already Free
Bruce Tift in conversation with James Shaheen
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Bruce Tift to discuss the differences between what he calls the developmental and fruitional approaches to freedom, how attempts at self-improvement distract us from our fundamental liberation, and what it means to know that we’re already free.
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Friday, July 26, 2024

Project 2025

Via Dhamma Wheel | Right Living: Abstaining from Misbehaving Among Sensual Pleasures

 


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RIGHT LIVING
Undertaking the Commitment to Abstain from Misbehaving Among Sensual Pleasures
Sensual misconduct is unhealthy. Refraining from sensual misconduct is healthy. (MN 9) Abandoning sensual misconduct, one abstains from misbehaving among sensual pleasures. (MN 41) One practices thus: “Others may engage in sensual misconduct, but I will abstain from sensual misconduct.” (MN 8)

Odors cognizable by the nose are of two kinds: those to be cultivated and those not to be cultivated. Such odors as cause, in one who cultivates them, unhealthy states to increase and healthy states to diminish, such odors are not to be cultivated. But such odors as cause, in one who cultivates them, unhealthy states to diminish and healthy states to increase, such odors are to be cultivated. (MN 114)
Reflection
The point here is not that some things smell good and some smell bad. Rather it is that some odors provoke unhealthy states in us and some incline us toward healthy states. As usual, the emphasis is on the mental and emotional response to sensory input and not on the quality of that data. The key is to avoid the tendency for the odor to give rise to craving, either craving for more pleasure or craving for pain to go away.

Daily Practice
Here you have another invitation to abide in your experience with equanimity, to be acutely aware of something, in this case an odor, without being driven by that information into responding with attraction or aversion. Smells are a good way to practice equanimity, since it is so easy to observe the mind being automatically hijacked by pleasure or displeasure into liking or not liking the smell.

Tomorrow: Developing Unarisen Healthy States
One week from today: Abstaining from Intoxication

Share your thoughts and join the conversation on social media
#DhammaWheel

Questions?
Visit the Dhamma Wheel orientation page.



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Via Daily Dharma: Death Is a Beautiful Friend

 

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Death Is a Beautiful Friend

I think maybe we can reconcile with the fact that we’ll die sooner or later. Why don’t we say this could be a beautiful event for myself? We can die with gratitude, appreciation, and love. We can do that. Death is telling us how to live our life with gratitude, love, and enjoyment.

Kazuaki Tanahashi, “Awakening in Every Moment”


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Konda Mason on Compassionate Activism
With Konda Mason
The Save Our Democracy cofounder on using Buddhist tools for a pro-democracy outcome, in November and beyond.
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