A Statement of Allyship from Love Serve Remember Foundation

"Silence is itself an act of acquiescence to a system."
 

- Ram Dass -

Via White Crane Institute / HARVEY FIERSTEIN

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The inimitable Harvey Fierstein

1952 -

HARVEY FIERSTEIN, American actor, born; An American Tony Award-winning and Emmy Award-winning actor, playwright, and screenwriter is perhaps known best for the play and film Torch Song Trilogy, which he wrote and starred in and originating the role of Edna Turnblad in the Broadway musical Hairspray.

The 1982 Broadway production won him two Tony Awards, for Best Play and Best Actor in a Play, two Drama Desk Awards, for Outstanding New Play and Outstanding Actor in a Play, and the Theater World Award, and the film earned him an Independent Spirit Award nomination as Best Male Lead. Fierstein also wrote the book for La Cage aux Folles (1983), winning another Tony Award, this time for Best Book of a Musical, and a Drama Desk nomination for Outstanding Book. Legs Diamond, his 1988 collaboration with Peter Allen, was a critical and commercial failure, closing after 72 previews and 64 performances.

His other playwriting credits include Safe Sex, Spookhouse, and Forget Him. Fierstein developed a new musical titled A Catered Affair in which he starred with Faith Prince, Leslie Kritzer, and Tom Wopat. Fierstein is an occasional columnist writing about Gay issues and appears regularly on the PBS series In The Life. He was out at a time when very few celebrities were. His most recent Tony was for Kinky Boots, with Cindy Lauper.

Via White Crane Institute / THOMAS MANN

This Day in Gay History

June 06

Born

Nobel Laureate Thomas Mann

1875 -

THOMAS MANN, German writer, Nobel Prize laureate (d. 1955); a German novelist, short story writer, social critic, philanthropist, essayist, and 1929 Nobel Prize laureate, known for his series of highly symbolic and ironic epic novels and mid-length stories, noted for their insight into the psychology of the artist and intellectual.

His analysis and critique of the European and German soul used modernized German and Biblical stories, as well as the ideas of Goethe, Nietzsche and Schopenhauer.

 

Mann's diaries, unsealed in 1975, tell of his struggles with his sexuality, which found reflection in his works, most prominently through the obsession of the elderly Aschenbach for the 14-year-old Polish boy Tadzio in the novella Death in Venice (Der Tod in Venedig, 1912).

 

Anthony Heilbut's biography Thomas Mann: Eros and Literature (1997) was widely acclaimed for uncovering the centrality of Mann's sexuality to his oeuvre. Gilbert Adair's work The Real Tadzio describes how, in the summer of 1911, Mann had been staying at the Grand Hôtel des Bains in Venice with his wife and brother when he became enraptured by the angelic figure of Władysław Moes, an 11-year-old Polish boy. Considered a classic of homoerotic passion (if unconsummated) Death in Venice has been made into a film and an opera. Blamed sarcastically by Mann’s old enemy, Alfred Kerr, to have ‘made pederasty acceptable to the cultivated middle classes’, it has been pivotal to introducing the discourse of same-sex desire to the common culture.

 

Mann himself described his feelings for young violinist and painter Paul Ehrenberg as the "central experience of my heart." Despite the homoerotic overtones in his writing, Mann chose to marry and have children; two of his children, Klaus, also a writer, who committed suicide in 1949, and Erika, an actress, and writer who died in 1969 and who was married to W.H. Auden for 34 years, were also Gay. His works also present other sexual themes, such as incest in The Blood of the Walsungs (Wälsungenblut) and The Holy Sinner (Der Erwählte).

Via Be Here Now Network / Francesca Maximé – ReRooted – Ep. 29 – Legacy Burden, Implicit Racism, and Activism with Dr. Richard Schwartz

Dr. Richard Schwartz joins Francesca to discuss legacy burden, implicit racism, privilege, social activism, and healing the planet. Richard Schwartz, PhD, is the founding...

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Via Daily Dharma: Transforming Actual Lives

If spiritual or transcendent insight doesn’t lead to healing and transformation in our actual daily lives, it is clearly incomplete.

—Henry Shukman, “Light and Dark”

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#UOLEntrevista #Coronavírus MÉDICO FALA SOBRE O CENÁRIO DA PANDEMIA NO BRASIL E A FLEXIBILIZAÇÃO DA QUARENTENA

Via FB / Elis Regina

Elis Regina participava ativamente da política, principalmente, contra a Ditadura Militar no Brasil nos anos de chumbo em que viveu.

Via FB

Via Daily Dharma: Changing Your Conditioning

Practicing mindful awareness of... our conditioning and habits of the mind helps us to know what we are up against within ourselves as we seek to make change in the world.

—Rhonda Magee,“Making the Invisible Visible”

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Via White Crane Institute / FEDERICO GARCÍA LORCA

Federico Garcia Lorca and Salvador Dali

1898 -

FEDERICO GARCÍA LORCA, Spanish poet, lyricist and dramatist (d. 1936); a Spanish poet and dramatist, also remembered as a painter, pianist, and composer. An emblematic member of the Generation of ‘27, he was killed by Nationalist partisans at the age of thirty-eight at the beginning of the Spanish Civil War. Born in Fuente Vaqueros, province of Granada, on June 5, 1898, Federico García Lorca is internationally recognized as Spain's most prominent lyric poet and dramatist of the twentieth century. His poetry and plays have been translated into dozens of languages and have been the object of study by critics all over the world.

 

Since his murder in 1936 at the hands of Spanish fascist forces, Lorca has become a legendary tragic hero. One cannot help speculating about Lorca's unfulfilled projects, the many more works he had planned to write and would have written had he not been the victim of a death that to this day is still clouded with controversy.

 

Equally controversial are the thinly veiled homoerotic motifs and themes present in Lorca's work that have long been intentionally silenced and overlooked by those wishing not to "soil" the reputation of one of Spain's most respected bards; among them, the Franco regime, the Lorca family, and homophobic Lorquian scholars who have dedicated their lives and careers to Lorca's work yet refuse to acknowledge a line of criticism that takes into account homoerotic desire.

 

In 1919, Lorca went to study at the University of Madrid and lived at the Residencia de Estudiantes--a student residence founded in 1910 as a center of intellectual life for gifted students. Among the students at the "Resi," as it was familiarly known, were Spain's most talented young artists and writers. The surrealist painter Salvador Dalí, with whom Lorca fell deeply in love, and Luis Buñuel, later famous as a film maker, became close friends with Lorca, whose room soon became a popular meeting place for intellectuals around Madrid.

 

For a marvelous treatment of these relationships, see the film Little Ashes, directed by Paul Morrison. With Javier Beltrán, Robert Pattinson, Matthew McNulty. After what has been generally described as a "mysterious emotional crisis" (in fact, a depression brought on by Dalí's sexual rejection as well as by a stormy relationship with a young sculptor, Emilio Aladrén Perojo), Lorca traveled to New York City in 1927. This trip inspired some of his most singular poetic pieces, later collected under the title Poet in New York (1940).

 

After leaving New York City, Lorca spent three months in Cuba, a place he had dreamed of visiting ever since he was a child and where he spent, according to his own account, the happiest days of his life. Following his stay in New York City and Cuba, Lorca began to be more daring in the representation of homosexuality.

 

Far away from his family and conservative Spanish values, he was able to conceive and begin writing his most openly homosexual work: "Ode to Walt Whitman," the dramatic piece The Public, and the unfinished The Destruction of Sodom. "Ode to Walt Whitman," published in Mexico in 1934 in a limited edition of fifty copies, but never published in Spain during Lorca's lifetime, reveals the poet's own contradictions concerning homosexuality. The ode takes on a moralistic tone by marking a clear distinction between a pure and de-sexualized homosexual love, epitomized by Whitman the lover of nature, and a debased sexuality, associated with the "maricas" or faggots (effeminate homosexuals).

 

The Public, which with the exception of two scenes published in a Spanish magazine during Lorca's life was not published until 1978, and even then in an incomplete version, presents an examination of repressed homosexual desire as well as a defense of the individual's right to erotic liberty.

 

Lorca categorized The Public, his most experimental play, as belonging to his "impossible theater." Also belonging to the impossible theater is The Destruction of Sodom, of which Lorca apparently wrote one act, although today only the first page of the piece survives. The theme of this play, according to Ian Gibson, was to be "the pleasures of the homosexual confraternity, who have made such a contribution to world culture."

Via White Crane Institute / IVY COMPTON-BURNETT

Ivy Compton-Burnett

1892 -

IVY COMPTON-BURNETT, English novelist, born (d: 1969); Published as “I. Compton-Burnett,” all her many novels, which have been called “morality plays for the tough-minded,” are satires of the least attractive aspects of human nature as found among the nobility and landed gentry of the late-Victorian world. They are very strange and very intelligent novels by a very strange and intelligent woman. Compton-Burnett lived most of her life in a “romantic friendship” with Margaret Jourdain, a woman several years her senior and a well-established scholar and expert in 18th century furniture.

There was no question in the Jourdain/Compton-Burnett household as to who was numero uno. Jourdain talked and Compton-Burnett listened. Even when the novelist’s fame far exceeded the scholar’s, no one entered their sanctum sanctorum without paying court to Jourdain alone. They had no sexual contact with each other, nor with anyone else, Jourdain believing that only men experienced sexual desire and Compton-Burnett explaining that they were “essentially a pair of neuters.” When Jourdain died, the novelist was almost sixty, but her subservience and dependence never ended. She continued to talk with her friend” I say, what do you think? Do you like it? Would you advise me? What shall I do?” Strange. Fascinating. Eerie. Like her novels.

O que é o #somos70porcento ? Aumente o som e assista.

Via Daily Dharma: Act on Awakening

It is said that the Buddha, after emerging from his awakening under the Bodhi tree, distinguished himself from other enlightened beings by not dwelling in quiescence, but demonstrated his unsurpassed and complete awakening by speaking up.

—Duncan Ryuken Williams, “At Fort Sill, a Prayer That History Would Not Repeat Itself”

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Via Lion´s Roar / How to Practice Metta for a Troubled Time

How to Practice Metta for a Troubled Time

Mushim Patricia Ikeda teaches us how to generate loving-kindness and good will as an antidote to hatred and fear.

Via Lion´s Roar / Race, Reclamation, and the Resilience Revolution

Race, Reclamation, and the Resilience Revolution

In the wake of the death of George Floyd, a black man killed by police in Minneapolis, dharma teacher Larry Ward says we have to “create communities of resilience,” and offers his mantras for this time.

Via Daily Dharma: Keeping Steady with Emotions

The intention when meditating with emotion is to stay steady with every sensation, just as we might do with sound meditation. Just listening. No commentary.

—Yongey Mingyur Rinpoche with Helen Tworkov,“Leaving Everything Behind”

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Via Ram Dass - Love Serve Remember Foundation / Words of Wisdom - June 3, 2020 💌

"Tall order: We’re asked to enter into this volatile environment of division and separateness, but with as much consciousness of unity as possible. So King sets out for Selma. Gandhi begins the Salt March, or any number of us join movements for peace and justice. Seeking to recruit others, experiencing divisions among ourselves, confronting opposing power, wrestling with fear and anger, trying to keep a clear sense of our goals… there are plenty of places to get lost in the struggle.
We need all the clarity and inspiration we can get in order not to violate, in our own behavior, the very principles and ideals we’re fighting for." 

- Ram Dass -

Via Daily Dharma: What Is Genuine Happiness?

Genuine happiness doesn’t require that you take anything away from anyone—which means that it in no way conflicts with the genuine happiness of others.

—Thanissaro Bhikkhu, “Hang on to Your Ego”

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Via Daily Dharma: Get to Know Yourself

The more comfortable we are with ourselves, the more comfortable we are with others. We need to know ourselves fully and authentically, which requires work, before we can start to understand the absolute truth of non-self. 

—Interview with Kevin Manders by Emily DeMaioNewton,“A Gender-Diverse Sangha”

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